The Chiaroscuro Woodcut in Renaissance Italy

Author:   Naoko Takahatake ,  Jonathan Bober ,  Jamie Gabbarelli ,  Antony Griffiths
Publisher:   Prestel
ISBN:  

9783791357393


Pages:   288
Publication Date:   02 July 2018
Format:   Hardback
Availability:   In Print   Availability explained
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The Chiaroscuro Woodcut in Renaissance Italy


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Overview

The art of the chiarocuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous colour. Printing two or more woodblocks inked in different tones to create an image, the chiaroscuro woodcut was the earliest, most successful foray into colour printing in Europe. Following its invention in Germany, the technique was first adopted around 1516 in Italy where it flourished through the 16th century. This novel art form engaged the interests of the most celebrated artists of the Renaissance, including Titian, Raphael, Parmigianino, and Beccafumi, and underwent sophisticated developments in the hands of such master printmakers as Ugo da Carpi, Antonio da Trento, Niccolo Vicentino, and Andrea Andreani. Featuring more than 100 prints and related drawings, this book incorporates pioneering art historical research and scientific analysis to present a comprehensive study of the subject. Essays trace its creative origins and evolution, describing both materials and means of production. Brimming with full-colour illustrations of rare and beautiful works, this book offers a fresh interpretation of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance. AUTHOR: Naoko Takahatake is Associate Curator at the Los Angeles County Museum of Art. 292 colour illustrations

Full Product Details

Author:   Naoko Takahatake ,  Jonathan Bober ,  Jamie Gabbarelli ,  Antony Griffiths
Publisher:   Prestel
Imprint:   Prestel
ISBN:  

9783791357393


ISBN 10:   3791357395
Pages:   288
Publication Date:   02 July 2018
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

More than 100 such chiaroscuro prints, including ones after Raphael, Titian and Parmigianino, were on view earlier this year at LACMA...and in the show's catalog, Ms. Takahatake shows step-by-step how Italian artists made these rich prints. This is an authoritative volume, and a handsome one too, laid out with spare elegance by Green Dragon Office of Los Angeles and printed on caress-inviting matte stock. -The New York Times Brimming with full-color illustrations of rare and beautiful works, The Chiaroscuro Woodcut in Renaissance Italy offers a fresh and informative interpretations of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance -- making it a critically important and highly recommended addition to personal, professional, community, college, and university libraries. -Midwest Book Review Takahatake, the curator, offers a sharp surmise in the show's first-rate catalog:....The book is jam-packed with new, technically oriented scholarship and scientific analysis of the blocks, inks and paper used, which helps untangle the narrative of chiaroscuro printing's spread. -Los Angeles Times The catalogue, beautifully illustrated with full-color images, is an important addition to the literature on printing. -College Art Association


Brimming with full-color illustrations of rare and beautiful works, The Chiaroscuro Woodcut in Renaissance Italy offers a fresh and informative interpretations of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance -- making it a critically important and highly recommended addition to personal, professional, community, college, and university libraries. -Midwest Book Review Takahatake, the curator, offers a sharp surmise in the show's first-rate catalog: ....The book is jam-packed with new, technically oriented scholarship and scientific analysis of the blocks, inks and paper used, which helps untangle the narrative of chiaroscuro printing's spread. -Los Angeles Times


Author Information

NAOKO TAKAHATAKE is Associate Curator at the Los Angeles County Museum of Art.

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