The Case of the Lonely Accountant: the second installment of the sharply-plotted and tense Finder Mysteries

Author:   Simon Mason
Publisher:   Quercus Publishing
ISBN:  

9781529426038


Pages:   208
Publication Date:   11 September 2025
Format:   Paperback
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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The Case of the Lonely Accountant: the second installment of the sharply-plotted and tense Finder Mysteries


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Full Product Details

Author:   Simon Mason
Publisher:   Quercus Publishing
Imprint:   riverrun
Dimensions:   Width: 12.80cm , Height: 1.80cm , Length: 19.40cm
Weight:   0.152kg
ISBN:  

9781529426038


ISBN 10:   1529426030
Pages:   208
Publication Date:   11 September 2025
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

Reviews

I have loved, as I have written here several times, Simon Mason's DI Wilkins series. And now I love, for different reasons, his Finder Mysteries. The tone of the novellas Missing Person: Alice and The Case of the Lonely Accountant (you'll want to read them both) is deadpan, somewhere between Georges Simenon and Kazuo Ishiguro (When We Were Orphans). Deadpan does not mean dry. Nor do the parallels between each case and the book that the narrator is reading - What Maisie Knew, Dr Jekyll and Mr Hyde - indicate literary self-indulgence. These are satisfying, carefully plotted stories, as well as haunting depictions of voids in people's lives' Nicholas Clee, Bookbrunch Short, sharp mysteries . . . [Talib] and his investigations are fascinating. * The Times * Simon Mason is one of the brightest new names on the crime scene in years. Utterly compelling, Missing Person: Alice and The Case of the Lonely Accountant are brilliantly constructed mysteries, it is the cool tone in which they're written that's particularly striking, with the narrator carefully navigating his own tragedies while sifting through the traces of cracked lives with a careful humanity. Mason has been mainlining Simenon for a while, and it shows. -- Mick Herron Extraordinary stories of ordinary lives riven by loss. I lived and breathed these two books for the time it took me to finish them. Absolutely exceptional. -- Sarah Hilary Plotting and characterisation are as deft as we have come to expect from the talented Mason, with an elegant use of language. * Financial Times * [Simon] instinctively knows how to use and manipulate tropes pleasingly... there is much to enjoy * Crime Time FM * With tantalising hints at the sleuthing protagonist's equally murky back story these novellas break the walls of the police procedural down and descend into dark corners. I couldn't put them down. * Crime Time * Really works well and, at 198 pages of generously printed text, amply fulfils Ian Rankin's recent admonition against long works. Psychologically, a rich exploration that is full of merited excitement. * The Critic *


I have loved, as I have written here several times, Simon Mason's DI Wilkins series. And now I love, for different reasons, his Finder Mysteries. The tone of the novellas Missing Person: Alice and The Case of the Lonely Accountant (you'll want to read them both) is deadpan, somewhere between Georges Simenon and Kazuo Ishiguro (When We Were Orphans). Deadpan does not mean dry. Nor do the parallels between each case and the book that the narrator is reading - What Maisie Knew, Dr Jekyll and Mr Hyde - indicate literary self-indulgence. These are satisfying, carefully plotted stories, as well as haunting depictions of voids in people's lives' Nicholas Clee, Bookbrunch Short, sharp mysteries . . . [Talib] and his investigations are fascinating. * The Times * Simon Mason is one of the brightest new names on the crime scene in years. Utterly compelling, Missing Person: Alice and The Case of the Lonely Accountant are brilliantly constructed mysteries, it is the cool tone in which they're written that's particularly striking, with the narrator carefully navigating his own tragedies while sifting through the traces of cracked lives with a careful humanity. Mason has been mainlining Simenon for a while, and it shows. -- Mick Herron Extraordinary stories of ordinary lives riven by loss. I lived and breathed these two books for the time it took me to finish them. Absolutely exceptional. -- Sarah Hilary Plotting and characterisation are as deft as we have come to expect from the talented Mason, with an elegant use of language. * Financial Times * [Simon] instinctively knows how to use and manipulate tropes pleasingly... there is much to enjoy * Crime Time FM * With tantalising hints at the sleuthing protagonist's equally murky back story these novellas break the walls of the police procedural down and descend into dark corners. I couldn't put them down. * Crime Time * Really works well and, at 198 pages of generously printed text, amply fulfils Ian Rankin's recent admonition against long works. Psychologically, a rich exploration that is full of merited excitement. * The Critic * I loved Simon Mason's Finder mysteries, I read them at great speed as I couldn't put them down, and was left hoping the next would come soon. They are such a good mixture of social observation, literary echoes, and offbeat urban landscapes. Such a clever device to have our Finder reading a classic novel as he investigates - structurally brilliant! -- Margaret Drabble Oxford-based Simon Mason has made a mark with his civilised crime fiction, but this duo of elegantly written outings is his finest work yet. It comprises two novellas: The Case of the Lonely Accountant and Missing Person: Alice, both featuring a nameless sleuth, 'The Finder'. Plotting and characterisation equally felicitous. * Barry Forshaw, Best Crime of the Year 2024, Crime Time * A short, ingeniously plotted missing-person mystery with a provincial English setting and an appealing atmoshphere of Maigret-ish melancholy. -- Clare Chambers * The Observer (Books of the Year 2024) * Simon Mason's The Case of the Lonely Accountant . . . is a departure from his Oxford series . . . and one that underlines his range. In fewer than 200 pages (other authors please take note), The Case works very well indeed, spinning out from a clear start to bring in a possible reappearance of a suicide, the ""Finder,"" and the ways in which you could disappear in Poole. Wonderfully written and consistently interesting. -- Jeremy Black * The Critic * Dark, exquisite and utterly absorbing, The Finder Mysteries are a rare and special thing -- Russ Thomas


I have loved, as I have written here several times, Simon Mason's DI Wilkins series. And now I love, for different reasons, his Finder Mysteries. The tone of the novellas Missing Person: Alice and The Case of the Lonely Accountant (you'll want to read them both) is deadpan, somewhere between Georges Simenon and Kazuo Ishiguro (When We Were Orphans). Deadpan does not mean dry. Nor do the parallels between each case and the book that the narrator is reading - What Maisie Knew, Dr Jekyll and Mr Hyde - indicate literary self-indulgence. These are satisfying, carefully plotted stories, as well as haunting depictions of voids in people's lives' Nicholas Clee, Bookbrunch Short, sharp mysteries . . . [Talib] and his investigations are fascinating. * The Times * Simon Mason is one of the brightest new names on the crime scene in years. Utterly compelling, Missing Person: Alice and The Case of the Lonely Accountant are brilliantly constructed mysteries, it is the cool tone in which they're written that's particularly striking, with the narrator carefully navigating his own tragedies while sifting through the traces of cracked lives with a careful humanity. Mason has been mainlining Simenon for a while, and it shows. -- Mick Herron Extraordinary stories of ordinary lives riven by loss. I lived and breathed these two books for the time it took me to finish them. Absolutely exceptional. -- Sarah Hilary Plotting and characterisation are as deft as we have come to expect from the talented Mason, with an elegant use of language. * Financial Times * [Simon] instinctively knows how to use and manipulate tropes pleasingly... there is much to enjoy * Crime Time FM * With tantalising hints at the sleuthing protagonist's equally murky back story these novellas break the walls of the police procedural down and descend into dark corners. I couldn't put them down. * Crime Time *


Author Information

SIMON MASON has pursued parallel careers as a publisher and an author, whose YA crime novels Running Girl, Kid Got Shot and Hey, Sherlock! feature the sixteen-year-old slacker genius Garvie Smith. A former Managing Director of David Fickling Books, where he worked with many wonderful writers, including Philip Pullman, he has also taught at Oxford Brookes University and has been a Royal Literary Fund Fellow at Exeter College, Oxford. His critically acclaimed DI Ryan Wilkins Mysteries, which started with A Killing in November, have received numerous accolades, including being shortlisted for the CWA Gold Dagger, selected as Times Audio Book of the Week and Sunday Times Crime Book of the Month. The Case of the Lonely Accountant is a Finder Mystery.

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