Overview

The profusion of research on film history means that there are now few Hollywood filmmakers in the category of Neglected Master; John M Stahl (1886-1950) has been stuck in it for far too long. His strong association with melodrama and the womans film is a key to this neglect; those mainstays of popular cinema are no longer the object of critical scorn or indifference, but Stahl has until now hardly benefited from this welcome change in attitude. His remarkable silent melodramas were either lost, or buried in archives, while his major sound films such as Imitation of Life and Magnificent Obsession, equally successful in their time, have been overshadowed by the glamour of the 1950s remakes by Douglas Sirk. Sirk is a far from neglected figure; Stahls much longer Hollywood career deserves attention and celebration in its own right, as this book definitively shows. Drawing on a wide range of film and document archives, scholars from three continents come together to cover Stahls work, as director and also producer, from its beginnings during World War I to his death, as a still active filmmaker, in 1950. Between them they make a strong case for Stahl as an important figure in cinema history, and as author of many films that still have the power to move their audiences.

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9780861967360

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Reviews

As a resource for those interested in Stahl's work, this book is invaluable and likely to prove definitive for many years: it easily makes a case for upgrading his status, and captures much of what makes him a compelling and subtle master of narrative. * Sight & Sound *

We must warmly welcome this enterprising collection, which fills many gaps and updates our knowledge of a major film-maker of the silent period and beyond. * Positif * As a resource for those interested in Stahl's work, this book is invaluable and likely to prove definitive for many years: it easily makes a case for upgrading his status, and captures much of what makes him a compelling and subtle master of narrative. * Sight & Sound *

Author Information

Bruce Babington taught film for many years at Newcastle University. His publications include co-authored works with Peter W. Evans on Hollywood genres (the Musical, the Comedy of the Sexes. The Biblical Epic), and books on the British and New Zealand cinemas. His latest are The Sports Film: Games People Play and The Family Film in Global Cinema (co-edited with Noel Brown). Charles Barr worked for many years at the University of East Anglia, Norwich, and has since taught in St Louis, Dublin and Galway. He was joint writer, with Stephen Frears, of Typically British, Channel 4s centenary programme on British cinema. Publications include Ealing Studios and English Hitchcock; his most recent book is Hitchcock, Lost and Found: the Forgotten Films, co-authored with Alain Kerzoncuf.

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