Overview

Bucolic imagery—of shepherds with flocks in idyllic surroundings—has barely been studied in Byzantine art history. These images elude our usual analytical categories of imperial, sacred, and secular art, and challenge our assumptions about visual narrative. This book demonstrates that a “bucolic mode” existed in Byzantium in diverse media, such as textiles, sculpture, mosaics, silver, and manuscripts. Through a close reading of a select group of images, this book argues that bucolic themes were deployed to reflect concerns about the salvific effects of sound, the vagaries of the weather, and the contingency of imperial rule at different moments in the Byzantine era.

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9781802701852

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Paroma Chatterjee is Professor of Byzantine and medieval Mediterranean art history at the University of Michigan, Ann Arbor. Her research interests include medieval image theories, relics, statues, and word–image relations. She has published two monographs and numerous journal articles.

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