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OverviewFull Product DetailsAuthor: Frances Gateward , John Jennings , Frances Gateward , John JenningsPublisher: Rutgers University Press Imprint: Rutgers University Press Dimensions: Width: 15.60cm , Height: 2.50cm , Length: 23.50cm Weight: 0.567kg ISBN: 9780813572338ISBN 10: 0813572339 Pages: 356 Publication Date: 16 July 2015 Recommended Age: From 15 to 99 years Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsA fascinating look at the growing complexity and diversity in representations of Blackness in comics, graphic novels and sequential art. --Bambi Haggins author of Laughing Mad: The Black Comic Persona in Post-Soul America (09/11/2014) An important collection for academics and fan communities as we continue to expand scholarship on Black comics, their histories and their creators. A fascinating look at the growing complexity and diversity in representations of Blackness in comics, graphic novels and sequential art. --Bambi Haggins author of Laughing Mad: The Black Comic Persona in Post-Soul America An essential guide for anyone interested in the intersections between race and comics, this volume is full of startling and original insights about the creators, comics, and graphic novels that represent people of African descent from the 1930s to the present. --Jonathan W. Gray author of Civil Rights in the White Literary Imagination Like the comics selected for analysis, this collection of essays works to expand our understanding of the mediums of Blackness and comics. Through observant and meticulous close readings of comic books, newspaper comic strips, digital comics, and graphic novels, alongside the respective sociohistorical and cultural contexts of their production, dissemination, and consumption, the contributors shed light on overlooked and perhaps unknown cartoonists and stories from the past, provide new insight on well-known comics and histories, and challenge our understanding of what constitutes black comics. --Cinema Journal An important collection for academics and fan communities as we continue to expand scholarship on Black comics, their histories and their creators. --Journal of Graphic Novels and Comics The Blacker the Ink features an emerging methodology that may be characteristic of, and useful for, the continued development of black comics studies. --Studies in 20th & 21st Century Literature This volume provides what has been lacking in some previous work--variety of content, precision of approach and execution, and depth of analyses ... The Blacker the Ink advances the study of black comics significantly by offering new insights and a wealth of information free of gobbledygook ... Highly recommended. --Choice Like the comics selected for analysis, this collection of essays works to expand our understanding of the mediums of Blackness and comics. Through observant and meticulous close readings of comic books, newspaper comic strips, digital comics, and graphic novels, alongside the respective sociohistorical and cultural contexts of their production, dissemination, and consumption, the contributors shed light on overlooked and perhaps unknown cartoonists and stories from the past, provide new insight on well-known comics and histories, and challenge our understanding of what constitutes black comics. --Cinema Journal A fascinating look at the growing complexity and diversity in representations of Blackness in comics, graphic novels and sequential art. --Bambi Haggins author of Laughing Mad: The Black Comic Persona in Post-Soul America An essential guide for anyone interested in the intersections between race and comics, this volume is full of startling and original insights about the creators, comics, and graphic novels that represent people of African descent from the 1930s to the present. --Jonathan W. Gray author of Civil Rights in the White Literary Imagination An important collection for academics and fan communities as we continue to expand scholarship on Black comics, their histories and their creators. --Journal of Graphic Novels and Comics The Blacker the Ink features an emerging methodology that may be characteristic of, and useful for, the continued development of black comics studies. --Studies in 20th & 21st Century Literature This volume provides what has been lacking in some previous work--variety of content, precision of approach and execution, and depth of analyses ... The Blacker the Ink advances the study of black comics significantly by offering new insights and a wealth of information free of gobbledygook ... Highly recommended. --Choice Author InformationFRANCES GATEWARD is an associate professor in the department of cinema and television arts at California State University-Northridge. She is the editor of Seoul Searching: Cultural Identity and Cinema in South Korea. JOHN JENNINGS is a professor of media and cultural studies, University of California Riverside where he is Nasir Jones Hiphop Fellow. He is the author of Black Comix: African American Independent Comics, the award-winning graphic novel The Hole: Consumer Culture, and the national bestseller, Kindred, a graphic adaption of Octavia Butler's classic novel. Tab Content 6Author Website:Countries AvailableAll regions |
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