Overview

For many years, Thomas Kellner has been working with architecture and sights from all over the world, but in this work, created in the summer of 2014, he turns to one of the most breath taking landscape motifs on earth: the Grand Canyon. Kellner photographs the subject from several perspectives and thus breaks it down into its individual parts. He then assembles the contact sheets in their original size to create an overall composition. The Big Picture consists of 60 films with 36 shots each, i.e. 2160 pictures taken one after the other. The work of art is more than 4 meters wide. The limited two-image catalog presents the work of art at an impressive 1.50 m and thus in the format 1: 3.7. Two-image catalogue presenting the work of art at an impressive 1.50 m and thus in the format 1: 3.7. The Grand Canyon in big format. Limited Edition consists of 60 films with 36 shots each, i.e. 2160 pictures taken one after the other.

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9783946688990

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"Imagine approaching the rim of the Grand Canyon on a bright sunny day, and watching the stunning natural scenery unfold in front of you. In Thomas Kellner's new photo book, The Big Picture, you can expect a similar experience as you unfold his massive panorama of the Grand Canyon, made up of 2,160 individual 35mm film frames. It forms a large mosaic across eight concertina-folded pages, and it is a grand presentation indeed.-- ""The Photo Book Journal"""

Imagine approaching the rim of the Grand Canyon on a bright sunny day, and watching the stunning natural scenery unfold in front of you. In Thomas Kellner's new photo book, The Big Picture, you can expect a similar experience as you unfold his massive panorama of the Grand Canyon, made up of 2,160 individual 35mm film frames. It forms a large mosaic across eight concertina-folded pages, and it is a grand presentation indeed.-- The Photo Book Journal

Author Information

Thomas Kellner (b. Bonn 1966) is a German photographer and curator, well-known for his process of creating dancing photographs of architecture from all around the world. Kellner developed his unique visual language of multiple perspectives and the deconstructive approach in a sequence mounted on a contact sheet of 35-mm. film.

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