Overview

""Pure genius."" -Jo McDougall, former Arkansas Poet Laureate, author of In the Home of the Famous Dead and Towns Facing Railroads, on The Bankrupt Circus ""Like any genuinely higher being, Minnick loves even the least of his creations, dignifying them with an empathy and a beauty of purpose that leaves the reader both stunned and uplifted."" -John Vanderslice, author of Island Fog and Last Days of Oscar Wilde, on Working the Dirt ""Minnick offers a humble human moment and with a combination of comedy and supple linguistics, elevates it to a bird-eye view of the (or a) human condition."" -Johnny Payne, author of A Graveyard of First Chapters, and Hard Side of the River, on Generative/Iterative/Evaluative ""Minnick...sees truly but slyly, that is to say, the kind of writer who gazes into people's souls while pretending he's looking the other way."" -Kevin Brockmeier, author of A Brief History of the Dead and The Illumination, on A Pebble at Dawn ""We are all down-and-out clowns,"" Muscles the Clown declares, ""painted smiles hiding real hearts."" From that moment, the stories in The Bankrupt Circus & Other Misadventures open onto a world where absurdity and ache walk hand in hand. Whether it's kids buying unicycles from a bankrupt carnival, a graduate student who hides her dissertation in a freezer, a janitor who reads history in the dirt his broom leaves behind, or two friends hauling a firework the size of a rocket through Pittsburgh's smoky streets, these characters live at the margins-half comic, half tragic, wholly human. Marked by loss, loneliness, and a restless need to matter, each story reveals the fragile myths we create to survive. A broom becomes a confidant. A racquet carries the weight of brotherhood and rivalry. A firework becomes an elegy for a father. These objects, absurd on the surface, are never mere props; they are symbols of longing, stitched into the fabric of lives that might otherwise go unnoticed. Like the circus itself, the collection is both spectacle and sideshow, dazzling with humor while exposing the melancholy beneath the greasepaint. Together, the stories form a portrait of America at its edges-where working-class rituals, childhood games, and neighborhood legends are transformed into metaphors for endurance. Written in the tradition of surreal Americana, The Bankrupt Circus & Other Misadventures is at once hilarious, unsettling, and unexpectedly tender. The voices here are unforgettable: flawed, raw, and deeply human. Beneath the satire and strangeness lies a yearning for connection and a stubborn hope that even in a world gone bankrupt, something meaningful can still be salvaged. Readers will leave these pages not only entertained but moved to reflect on their own rituals of survival-the stories we tell to make sense of loss, the objects we cling to as proof of meaning, and the ways we balance heartbreak with humor. At once comic and compassionate, The Bankrupt Circus & Other Misadventures offers an unforgettable meditation on what it means to endure, to dream, and to keep searching for grace in the most unlikely places.

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Author Information

J. Bradley Minnick is a writer, public radio host and producer, and a Professor of English at the University of Arkansas at Little Rock. He has written, edited, and produced the one-minute spot ""Facts About Fiction,"" and the award-winning program Arts & Letters Radio, a show celebrating modern humanities with a concentration on Southern cultural and intellectual work that can be streamed at artsandlettersradio.org. He has published fiction in Toad Suck Review, Burningword Literary Journal, Literally Stories, Inklette Magazine, Cleaver, Twelve Winters Journal, East of the Web, Litbop Art and Literature in the Groove, Rural Fiction Magazine, Café Lit, Potato Soup Journal's 'Best of 2022' anthology, and Southwest Review. He spends his time with his amazing wife in Little Rock, Southwest Virginia and Pittsburgh.

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