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OverviewThis is a comprehensive guide to audio performance--radio, voice-overs, commercials, live theater, cartoons and more. Topics include microphone acting; vocal effects; writing scripts; manipulating emotions through sound; valuable tips for the director; a long list of sound effects and how to do them; and a series of commercials, scenes and sketches for practicing one's skills. Full Product DetailsAuthor: Robert L. MottPublisher: McFarland & Co Inc Imprint: McFarland & Co Inc Dimensions: Width: 15.20cm , Height: 1.10cm , Length: 22.90cm Weight: 0.308kg ISBN: 9780786444830ISBN 10: 0786444835 Pages: 223 Publication Date: 20 October 2009 Recommended Age: From 18 years Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsTable of Contents Acknowledgments Preface 1. Voice Acting 2. Microphone Acting Techniques 3. Barkers, Burpers, and Screamers 4. Writing Tips for the Audio Theater 5. Picturing What You Write 6. Can Sounds Create Emotions? 7. The ABCs of Directing 8. Directing the Next Step Up 9. Comparing Audio Theater with Other Media 10. The Warm-Up 11. The Comedy Theater 12. Scenes, Comedy Sketches, Commercials and More 13. The Most Asked for SFX and How to Do Them 14. Creating the More Impossible Sounds Glossary Bibliography IndexReviews“Mott’s excellent text is destined to be a classic handbook for radio/audio theater production”—Library Journal. Mott's excellent text is destined to be a classic handbook for radio/audio theater production --Library Journal. Mott's excellent text is destined to be a classic handbook for radio/audio theater production --<i>Library Journal.</i> Author InformationThe late Robert L. Mott had a long career doing sound effects for films, cartoons, theater, commercials—and for radio (such as Gangbusters, Philip Morris Playhouse and Perry Mason), and television (including Ed Sullivan, Jackie Gleason, The Tonight Show, Playhouse 90, Captain Kangaroo and Bob Hope). Twice nominated for Emmy awards for Days of Our Lives, he also wrote for Dick Van Dyke and Red Skelton. The Academy of Television Arts and Science selected him for their website honoring the legends of live television. Tab Content 6Author Website:Countries AvailableAll regions |