Overview

Is the experience of watching a film with others in a cinema crucially different from watching a film alone? Does laughing together amplify our enjoyment, and when watching a film in communal rapt attention, does this intensify the whole experience? Attending a film in a cinema implies being influenced by other people, an 'audience effect' that is particularly noticeable once affective responses like laughter, weeping, embarrassment, guilt, or anger play a role. In this innovative book, Julian Hanich explores the subjectively lived experience of watching films together, to discover a fuller understanding of cinema as an art form and a social institution that matters to millions of people worldwide. Combining recent scholarly interest in viewers' emotions and affects with insights from the blossoming debate about collective emotions in philosophy and social psychology, this study makes viewers more aware of their own experience in the cinema, and simultaneously opens up a new line of research for film studies.

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9781474431774

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Reviews

The Audience Effect is is an immensely important contribution to the phenomenology of cinema. Focused on the much-neglected collectivity of the theatrical film experience, it also touches on other modes of collective viewing, and its rigorous descriptions of the structures, effects, and affects entailed in collective viewing are extraordinarily enlivened by many examples and extremely accessible prose. -- Professor Vivian Sobchack, UCLA; This book moves its attention from the images on the screen to the audience gathered in the film theatre and eventually tells `their' stories. Hanich makes a spectacular shift, and he unfolds a reality that film studies has partly forgotten, as well as cinema's nature as a `democratic' art. A rigorous and fascinating book that will revamp audience studies. -- Professor Francesco Casetti, Yale; For those looking to learn more about the complex responses of audiences of cinematic art this is the book you should consult.-- Bob Lane, Emeritus Professor of Philosophy, Vancouver Island University, Metapsychology

The Audience Effect is is an immensely important contribution to the phenomenology of cinema. Focused on the much-neglected collectivity of the theatrical film experience, it also touches on other modes of collective viewing, and its rigorous descriptions of the structures, effects, and affects entailed in collective viewing are extraordinarily enlivened by many examples and extremely accessible prose. -- Professor Vivian Sobchack, UCLA; This book moves its attention from the images on the screen to the audience gathered in the film theatre and eventually tells `their’ stories. Hanich makes a spectacular shift, and he unfolds a reality that film studies has partly forgotten, as well as cinema’s nature as a `democratic’ art. A rigorous and fascinating book that will revamp audience studies. -- Professor Francesco Casetti, Yale; For those looking to learn more about the complex responses of audiences of cinematic art this is the book you should consult.-- Bob Lane, Emeritus Professor of Philosophy, Vancouver Island University, Metapsychology

Carefully researched...For those looking to learn more about the complex responses of audiences of cinematic art this is the book you should consult. -- Bob Lane, Vancouver Island University, Metapsychology Hanich has written The Audience Effect as an exercise in phenomenology, or, the philosophical analysis of forms of perception and engagement, their workings and implications. Watching films is seen not just as a visual, or even aural, process, but one engaging all aspects of a person, and (just about) all parts of our bodies. [...] There's little doubt that to those drawn to this approach, Hanich's book will be a significant addition. -- Martin Barker, Participations

Author Information

Julian Hanich is Associate Professor of Film Studies at the University of Groningen. In his research he focuses on audience emotions and affects, the film experience, and questions of film style. His first monograph Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear (2010) was a phenomenological investigation into the question why viewers enjoy being scared. His articles have appeared in Screen, Cinema Journal, Projections and many others.

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