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OverviewThe Artwork of the Future is one of a series which Wagner produced in a period of intensive writing following his exile after the Dresden May uprising of 1849. It follows Art and Revolution and precedes Jewishness in Music, developing the ideas of the one and prefiguring some of the issues of the other. Wagner wrote the whole essay over about two months in Zurich. He wrote to his friend Uhlig on November 1849, 'This will be the last of my literary works'. On this, as on many other matters in his life, Wagner was to change his mind. The essay is dedicated to the philosopher Ludwig Feuerbach, whose works (perhaps particularly Principles of the Philosophy of the Future), inspired some of its ideas. In September and October 1849, Wagner had read both Feuerbach's Reflections on Death and Immortality and his The Essence of Christianity. Wagner's biographer Ernest Newman opined that Wagner's prose style in this essay and others was also heavily influenced by Feuerbach, who was 'constitutionally prone to the antithetical'; whilst noting that within a few years Wagner rejected Feuerbach's philosophy for that of Schopenhauer. The title of the essay was to haunt Wagner; thereafter his opponents were to taunt him as a self-appointed prophet of 'the music of the future'. Wagner begins, 'As Man stands to Nature, so stands Art to Man.' Man, or more particularly the Volk (the community of 'men who feel a common and collective want') creates Art to fill that want. Those who feel no want are outsiders to the Volk and crave only pointless luxury - true Art thus comes only from the atavistic needs of the Volk. When luxury (by which Wagner implies base entertainment posing as true art - i.e. Grand Opera and its like) has been abolished by the Volk they will be able to join to create the Artwork of the Future. Wagner goes on to talk of the three basic elements of art, which he lists as 'Dance, Tone [i.e. music] and Poetry' which were originally united in ancient Greek drama (as extolled by Wagner in Art and Revolution). Modern attempts to unite these give rise to the 'unnatural abortion, the Oratorio', and to the 'shameless insolence' of contemporary opera Only when these and other tawdry entertainments are swept aside will the Artwork of the Future arise. Full Product DetailsAuthor: Richard Wagner (Princeton, MA) , William Ashton EllisPublisher: Createspace Imprint: Createspace Dimensions: Width: 15.20cm , Height: 0.60cm , Length: 22.90cm Weight: 0.159kg ISBN: 9781496087263ISBN 10: 1496087267 Pages: 112 Publication Date: 27 February 2014 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Not yet available This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsReviewsAuthor InformationTab Content 6Author Website:Countries AvailableAll regions |