Overview

This book examines the application of drawing in the design process of classical architecture, exploring how the tools and techniques of drawing developed for architecture subsequently shaped theories of vision and representations of the universe in science and philosophy. Building on recent scholarship that examines and reconstructs the design process of classical architecture, John R. Senseney focuses on technical drawing in the building trade as a model for the expression of visual order, showing that the techniques of ancient Greek drawing actively determined concepts about the world. He argues that the uniquely Greek innovations of graphic construction determined principles that shaped the massing, special qualities and refinements of buildings and the manner in which order itself was envisioned.

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9780511976711

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Reviews

'This is an ambitious book, carefully edited and profusely illustrated. It is hard not to be stirred by the questions [Senseney] raises: what were the origins of Greek and Roman architectural drawings? How did drawings determine the actual outcome of a building and a city? And, did architectural drawings affect aspects of intellectual life beyond architecture?' Bryn Mawr Classical Review 'This book is a valuable contribution to a recent tradition of writings that have sought to get inside the working processes of Greek and Roman architects.' American Journal of Archaeology

Author Information

John R. Senseney is Assistant Professor of Ancient History in the School of Architecture at the University of Illinois, Urbana-Champaign. His research has ranged from ancient methods of surveying and planning to Plato and book culture, with publications appearing in Hesperia, Sacred Landscapes in Anatolia and Neighboring Regions, the International Journal of the Classical Tradition, and the American Journal of Archaeology.

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