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OverviewDrawing on cinema and media studies, art history, American studies, and postcolonial studies, this innovative book offers a fresh way of thinking about Hollywood film aesthetics. It explores how eighteenth- and nineteenth-century Western colonial formations of vision influenced classical Hollywood film style, and thus provides a new and unique perspective on the origins of the cinematic gaze. Classical Hollywood cinema constructs global spaces as an imaginative dreamworld, subsuming geographical and cultural differences into utopian fantasy. Yet, this characteristically Hollywoodian aesthetic has rarely been explored in detail. How are such representations constructed within film texts? Is this utopian aesthetic really as uniform and transparent as it appears? What is its relationship to the United States’ status as an imperial power? In The American Abroad, Anna Cooper explores how postwar Hollywood cinema adopted elements of British and French imperial visual culture, transforming them to suit a new United Statesian context. Cooper argues that four visual discourses in particular—the sublime, the ethnographic, the picturesque, and glamour—became building blocks in the development of a new American visual language. Full Product DetailsAuthor: Dr. Anna Cooper (University of Arizona, USA)Publisher: Bloomsbury Publishing Plc Imprint: Bloomsbury Academic USA Dimensions: Width: 15.20cm , Height: 2.50cm , Length: 22.90cm Weight: 0.454kg ISBN: 9781501391729ISBN 10: 1501391720 Pages: 216 Publication Date: 19 October 2023 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsReviewsIn this eloquent and erudite exploration of an imperial Hollywood that framed and edited images of Europe for domestic consumption, Anna Cooper forensically shows the reader how to follow an untrustworthy tour guide. * Peter Stanfield, Emeritus Professor of Film, University of Kent, UK * The American Abroad offers a detailed and complex view of American imperialism using the institution of Hollywood cinema for fostering cultural dominance over Europe. Anna Cooper foregrounds the figure of the tourist to unravel in nuanced detail just how Hollywood's utopian aesthetics outrageously depicts Europe as its Orientalist Other on screen. With rich textual analyses of a specific corpus of Post-War films set in Europe, The American Abroad forms an important contribution to the renewed interest in Transatlantic cinematic encounters. * Jeroen Gerrits, Associate Professor in Comparative Literature, Binghamton University (SUNY), USA and author of Cinematic Skepticism: Across Digital and Global Turns * The American Abroad addresses the complex ideological relationship between the U.S. and Europe through a lively and attentive analysis of postwar Hollywood cinema's visual strategies. By illuminating the ways that the dream factory imagined a Europe that exists primarily for the white traveler, Cooper's study contributes to a richer understanding of U.S. imperialism and its cinematic narratives. * Peter Limbrick, Professor of Film and Digital Media, University of California, Santa Cruz, USA and author of Arab Modernism as World Cinema: The Films of Moumen Smihi and Making Settler Cinemas: Film and Colonial Encounters in the US, Australia, and New Zealand * In this eloquent and erudite exploration of an imperial Hollywood that framed and edited images of Europe for domestic consumption, Anna Cooper forensically shows the reader how to follow an untrustworthy tour guide. --Peter Stanfield, Emeritus Professor of Film, University of Kent, UK The American Abroad offers a detailed and complex view of American imperialism using the institution of Hollywood cinema for fostering cultural dominance over Europe. Anna Cooper foregrounds the figure of the tourist to unravel in nuanced detail just how Hollywood's utopian aesthetics outrageously depicts Europe as its Orientalist Other on screen. With rich textual analyses of a specific corpus of Post-War films set in Europe, The American Abroad forms an important contribution to the renewed interest in Transatlantic cinematic encounters. --Jeroen Gerrits, Associate Professor in Comparative Literature, Binghamton University (SUNY), USA and author of Cinematic Skepticism: Across Digital and Global Turns The American Abroad addresses the complex ideological relationship between the U.S. and Europe through a lively and attentive analysis of postwar Hollywood cinema's visual strategies. By illuminating the ways that the dream factory imagined a Europe that exists primarily for the white traveler, Cooper's study contributes to a richer understanding of U.S. imperialism and its cinematic narratives. --Peter Limbrick, Professor of Film and Digital Media, University of California, Santa Cruz, USA and author of Arab Modernism as World Cinema: The Films of Moumen Smihi and Making Settler Cinemas: Film and Colonial Encounters in the US, Australia, and New Zealand In this eloquent and erudite exploration of an imperial Hollywood that framed and edited images of Europe for domestic consumption, Anna Cooper forensically shows the reader how to follow an untrustworthy tour guide. * Peter Stanfield, Emeritus Professor of Film, University of Kent, UK * The American Abroad offers a detailed and complex view of American imperialism using the institution of Hollywood cinema for fostering cultural dominance over Europe. Anna Cooper foregrounds the figure of the tourist to unravel in nuanced detail just how Hollywood’s utopian aesthetics “outrageously” depicts Europe as its Orientalist Other on screen. With rich textual analyses of a specific corpus of Post-War films set in Europe, The American Abroad forms an important contribution to the renewed interest in Transatlantic cinematic encounters. * Jeroen Gerrits, Associate Professor in Comparative Literature, Binghamton University (SUNY), USA and author of Cinematic Skepticism: Across Digital and Global Turns * The American Abroad addresses the complex ideological relationship between the U.S. and Europe through a lively and attentive analysis of postwar Hollywood cinema’s visual strategies. By illuminating the ways that the “dream factory” imagined a Europe that exists primarily for the white traveler, Cooper’s study contributes to a richer understanding of U.S. imperialism and its cinematic narratives. * Peter Limbrick, Professor of Film and Digital Media, University of California, Santa Cruz, USA and author of Arab Modernism as World Cinema: The Films of Moumen Smihi and Making Settler Cinemas: Film and Colonial Encounters in the US, Australia, and New Zealand * Author InformationAnna Cooper is Associate Professor in the School of Theatre, Film, and Television, University of Arizona, USA. She completed her PhD at the University of Warwick and has worked at the universities of Hertfordshire, Sussex, and California (Santa Cruz). She co-edited Projecting the World: Representing the “Foreign” in Classical Hollywood (2017). Tab Content 6Author Website:Countries AvailableAll regions |