Overview

Ovid was the most influential and widely imitated of all classical Latin poets. This volume publishes papers delivered at a conference on the Reception of Ovid in March 2013, jointly organised by the Institute of Classical Studies and the Warburg Institute, University of London.   It presents studies of the impact of Ovid’s work on Renaissance commentators, on neo-Latin poetry and epistolography, on Renaissance engravers, on poets like Dante, Mantuan, Pontano, Ariosto, Tasso, Spenser, Lodge, Weever, Milton and Cowley and on artists including Correggio and Rubens.   The main focus of the volume is inevitably the afterlife of the Metamorphoses but it also includes discussions of the impact of Heroides, Fasti, and Ibis, and publishes for the first time a Latin verse life of Ovid composed around 1460 by Bernardo Moretti.   Contributors are Hélène Casanova-Robin, Frank T. Coulson, Fátima Diez-Plazas, Ingo Gildenhard, Philip Hardie, Maggie Kilgour, Gesine Manuwald, Elizabeth McGrath, John Miller, Victoria Moul, Caroline Stark, and Hérica Valladares.

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9781905670604

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John North taught Greek and Roman history for forty years in the History Department at University College London, becoming Professor of History in 1992 and Emeritus Professor of History in 2003. He was Director of the Institute of Classical Studies from 2012–14 and co-editor of the series of ICS reception studies volumes. Peter Mack is Emeritus Professor of English at the University of Warwick and a specialist in Renaissance rhetoric. From 2010 to 2014 he was Director of the Warburg Institute and Professor of the History of the Classical Tradition, University of London.

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