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OverviewThe Aesthetic Mind breaks new ground in bringing together empirical sciences and philosophy to enhance our understanding of aesthetics and the experience of art. An eminent international team of experts presents new research in philosophy, psychology, neuroscience, and social anthropology: they explore the roles of emotion, imagination, empathy, and beauty in this realm of human experience, ranging over visual and literary art, music, and dance. Among the questions discussed are: Why do we engage with things aesthetically and why do we create art? Does art or aesthetic experience have a function or functions? Which characteristics distinguish aesthetic mental states? Which skills or abilities do we put to use when we engage aesthetically with an object and how does that compare with non-aesthetic experiences? What does our ability to create art and engage aesthetically with things tell us about what it is to be a human being? This ambitious and far-reaching volume is essential reading for anyone investigating the aesthetic and the artistic. Full Product DetailsAuthor: Elisabeth Schellekens (University of Durham) , Peter Goldie (formerly University of Manchester)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 16.50cm , Height: 3.00cm , Length: 24.10cm Weight: 0.869kg ISBN: 9780199691517ISBN 10: 0199691517 Pages: 470 Publication Date: 13 October 2011 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsReviewsThe question of what we philosophers of art ought to make of empirical research results and methods is one whose answer we are still very much feeling our way towards. The great value of this collection is that, with it, the terrain we must traverse to do so is now all the clearer. Dan Cavedon-Taylor, Mind This collection of original articles by philosophers, psychologists, anthropologists and neuroscientists is not only a timely and welcome addition to serious inquiry into art and the aesthetic, but to philosophical aesthetics in particular and to philosophy more generally ... The question of what we philosophers of art ought to make of empirical research results and methods is one whose answer we are still very much feeling our way towards. The great value of thiscollection is that, with it, the terrain we must traverse to do so is now all the clearer. --Dan Cavedon-Taylor, Mind Author InformationElisabeth Schellekens is Senior Lecturer at the University of Durham, and Associate Editor of the British Journal of Aesthetics. She is the author of Aesthetics & Morality (Continuum, 2007), co-author of Who's Afraid of Conceptual Art (Routledge, 2009), and is currently working on a book on Aesthetic Objectivism. She was post-doctoral research fellow on the AHRC-funded project 'Towards an aesthetic psychology: the philosophy of aesthetic perception and cognition' between 2004 and 2006. Her main research interests include questions at the intersection of the philosophy of mind and aesthetics, meta-ethics, and Kant. Peter Goldie is Samuel Hall Professor in Philosophy at the University of Manchester. He is the author of Philosophy and Conceptual Art (OUP, 2007), On Personality (Routledge, 2004), and The Emotions: A Philosophical Exploration (Clarendon Press, 2000). Tab Content 6Author Website:Countries AvailableAll regions |
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