The Advanced Projection Manual

Author:   Torkell Saetervadet
Publisher:   Federation internationale des archives du film
ISBN:  

9782960029611


Pages:   300
Publication Date:   01 March 2006
Format:   Hardback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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The Advanced Projection Manual


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Overview

The Advanced Projection Manual is designed to provide cinema engineers and projectionists with the necessary technical know-how and hands-on advice. The book also includes a much needed introduction to electronic and digital projection technologies. The Advanced Projection Manual is published jointly by FIAF and the Norwegian Film Institute.

Full Product Details

Author:   Torkell Saetervadet
Publisher:   Federation internationale des archives du film
Imprint:   Federation internationale des archives du film
Dimensions:   Width: 24.10cm , Height: 3.00cm , Length: 20.30cm
Weight:   1.134kg
ISBN:  

9782960029611


ISBN 10:   2960029615
Pages:   300
Publication Date:   01 March 2006
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Reviews

This handsomely designed manual - which, by the way, is decidedly not a training manual for projectionists: you need to be a projectionist before you can become an advanced projectionist - will prove indispensable for any organisation presenting old film and, indeed, anything other than the latest release, such is the fluidity of cinema technology. David Walsh - Journal of Film Preservation


Author Information

Torkell Saetervadet is a cinema design and technology expert based in Norway. He is author of the comprehensive guide on film and digital projection, FIAF Digital Projection Guide. Until 2010, the author held the post as director of technology atUnique Cinema Systems (UCS), the company responsible for the roll-out of D-cinema in Norway-the first country in the world to transfer its entire cinema exhibition industry to digital.Prior to his engagement with UCS, he co-founded Norsk kinokonsult, a company specialising in cinema design. Other past positions include technical manager at the Norwegian Film Institute in Oslo and principal cinema engineer for the digital sound format SDDS in Europe. He is a member of the SMPTE and supported the archival frame rate efforts of the SMPTE DC.21 committee. He is currently also an associate member of the FIAF Technical Commission.

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