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Author:   Evan Jenkins (Columbia University, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 13.80cm , Height: 1.50cm , Length: 21.60cm
Weight:   0.317kg
ISBN:  

9780415977258

ISBN 10:   0415977258
Pages:   178
Publication Date:   26 February 2007
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

A vs. An; A Historic, etc. ,,Adverb Placement, Adverse/Averse , Adviser/Advisor; Historic/Historical , Affect/Effect, Allude/Refer, Along With, Alternate/Alternative, Antecedents, ‘As Such’ (Transition), Assure/Ensure/Insure, As, Then As, As vs. So, As Well As, Too (Starting Sentence), AttorneyS General, etc. , The Authorities, Award/Reward, Awhile/A While, Bacterium/Bacteria, (Feel) Bad/Badly, Baited/Bated (Breath), ‘Because’ and ‘Since’, Beg the Question, Beside/BesideS, Between/Among, ‘Between...and,’ Not ‘Between...to’, Between the Cracks, Bid, Bid, Bade, ‘Big of a’, Borne Out, With an ‘E’, Both, Brackets, Broadcast, the Verb , Cardinal/Ordinal Numbers, Cast, the Verb , Center Around/On, Chair/Chairperson, Cohort, ‘Collective’, Collective Nouns, Compare To/With, Comprise, Could/Couldn’t Care Less, Criterion/Criteria; Phenomenon/Phenomena, Danglers, Decimate, Declined TO Comment, Defining Clause — See That vs. Which, ‘Democratic,’ the Adjective, Difference/Differential, Different From/Than, Double Possessive I, Double Possessive II, Drag/’Drug’, Due To, Each Other/One Another, Eke,, Elegant Variation; Echo Enormity, Evoke/Invoke; Precipitate/Precipitous, Facility, False Titles, Farther/Further , Feud, Fewer/Less , Five Times Below, 160% Less, etc., Flaunt/Flout , Fondle, Forbid — Make the past tense forbade. ‘Former Native’ , Fortuitous , ‘From Whence’ — See Whence, Fulsome; Problematic, Fused Participle; ‘Off Of’ , Gantlet/Gauntlet; Stanch/Staunch, Gerrymander/Jerry-Built/Jury-Rigged , Gibe/Jibe, Gild/Paint the Lily, (I Am) Good / (I Am) Well, ‘Graduated College’, Graffito/Graffiti, Hand Down/Hand Up , Hanged/Hung, Have to/Got to, Head/Head Up , Heart-Rending/Heart-Wrenching, He or She, etc., Hold [Down] the Fort, Home/Hone, Honored in the Breach, ‘Human Race’ — See Oddities, Hyphens, ‘If Not’Impact, the Verb, Implement, Imply/Infer,Important/Importantly,Incidence/Incident/Instance,Individuals/People/Persons,In Line/On Line, Online, ‘In Order To’ ,In, Up and On, Irrelevant (NOT ‘Irrevelant’), ‘Issues’, Late, as in Dead, Lend/Loan, Lie, Lay, and All That, ‘Lightening’; ‘Forecasted’, Like/Such As, Like, With a Clause, Lion’s Share, Literally, Loath/Loathe, Located/Situated, Masterful/Masterly, May/Might, ‘Media,’ Plural, Me, Myself (Reflexive Pronouns), Mondegreen, Monies, More Than/Over, Myriad, Namesake, Near Miss’, Neither None, Plural Normalcy, Notoriety, Oddities, ‘Older Than Him’; ‘To She and I’, One Of/Among With Plural Verb, ‘One of the Only’, ‘Only,’ Placement Of, Oral/Verbal, Orient/Orientate, Partake/Participate/Take Part, People/Persons – See Individuals/People/Persons, Per , ‘Pleaded Guilty’, Pole/Post Position, Police, The Possessive Nouns with Pronouns, Preposition Ending Sentence, Prior to/Before, Rage/Wage, Ravage/Ravish, Raveled Sleave, With an ‘A’, A Reader’s Potpourri, The Reason Is That, Rebut/Refute, Reference as a Verb, Regard/Regards, Reluctant/Reticent, Remunerate/Renumerate, Replete, Resonate , Reverend, Sequence of Tenses, Series: Changing Numbers, Series, Run-On, Serve/Service, Singular Noun, Plural Pronoun, Sleight/Slight of Hand, ‘Snuck’ , Split Infinitive, Straighten/Straiten, Suspect/Suspected (adj.) Swatch/Swath, Tautology, ‘That Of,’ Omitted, That vs. Which, ‘They Each’ , Till/Until , Tons Was, Tortuous/Torturous, ‘To She and I’ – See ‘Older Than Him’ , To...To, Toward(s), Troopers/Troupers, Try And/Try To, Unique, Use/Usage Wangle/Wrangle Weapon(s) Inspector ‘Well,’ the Adjective, Whence, Where...at, Wherefore, Whether (or not), Who/Whom, Whose/Of Which, ‘Woof Down’, You, Understood

Reviews

Move over, Professor Strunk. This slim volume is a clear, complete, and wonderfully witty guide to words and how to use them. It'll never be far from my elbow. --William G. Connolly, co-author of The New York Times Manual of Style and Usage Evan Jenkins has produced a great collection of advice on English usage that is as entertaining as it is invaluable. With its incisive mix of erudition, playfulness, and common sense, That or Which, and Why is an indispensable guide for anyone who wishes to write well. --Tom Goldstein, former dean of the journalism schools at Berkeley and Columbia and co-author of The Lawyer's Guide to Writing Well A brilliant and entertaining romp through difficult questions of English usage. As authoritative as it is witty, it belongs on the desk of every editor, writer, and student of the language. --Gene Roberts, former managing editor, The New York Times Evan Jenkins's new book is witty, wise, and passionate, but it is also refreshingly sensible. He goes further or farther (thankfully I now know it doesn't matter) to put usage into a context that makes sense. He also draws lines where they need drawing (who and whom still matter). Even when he treads where I am unwilling to go (either 'compared with' or 'compared to' are okay?), I have a grumbling suspicion he may be right. That or Which, and Why is a wonderful new companion to keep on my writing desk. --Tom Rosenstiel, Director, Project for Excellence in Journalism Steering between word mavens who'll smack you for violating rules that went out with silent movies--if they were ever valid--and 'do your own thing' linguists and dictionary-makers, Evan Jenkins's That or Which, and Why offers sensible guidance with a firm but gentle hand. --Louis Trager, reporter and editor, San Francisco Bay area Even professed language experts are bound to learn something from That or Which, and Why. With wit, affection, and a good ear, author Evan Jenkins tackles dozens of questions about precise English and sorts out which rules to follow, which to ignore, and why it all matters. --Kirk Arnott, Assistant Managing Editor, The Columbus Dispatch In That or Which, and Why , Evan Jenkins steers a beautifully pragmatic and wittily wise middle course between the fossilized 'purists' and the freewheeling 'anything goes' crowd regarding our native tongue. If you do not already have his Language Corner as one of your Web shortcuts, this volume is evidence you should--it's so blessedly reassuring to understand the 'why' of the 'what' when you want to persuade yourself and others that English is still very much alive and kicking. --Nancy Holeman Holmes, Division of General Studies, Morris College Evan Jenkins has no time for descriptivists or their profligate tolerance (see 'From whence'). He is just as short with prescriptivists' dull sanctimony (relish the testiness of First annual ). With its assured voice and vivid images ('to be sure' is described as pince-nez professorial), That or Which, and Why is a unique addition to worthy usage commentary. --Kannan Somasundaram, Chief Copy Editor, Daily News & Analysis (DNA), Mumbai, India Evan Jenkins's absorbing considerations about grammar, written in response to real questions and gripes from working journalists, educators and those who just love language, judiciously balance today's common sense with yesterday's rules. His advice can help any writer to be both clear and kind to readers. --Seth Wigderson, Professor of History, University of Maine at Augusta When I was teaching writing to teenagers, I required them to buy Strunk and White's The Elements of Style. I would have required That or Which, and Why, if it had been available. It is comprehensive and lucid and, most important, written in a charming and unpedantic style. And I would have said this even if my name didn't appear in it. --Mark Freeman, The Washington County Curmudgeon Reading Evan Jenkins is like hanging out with your favorite wise-but-hip uncle. With humor, style and genuine affection, he explains the whys, wherefores, and whences of the English language, neatly distinguishing between sense and nonsense. --Christy Goldfinch, freelance editor and writer, Fort Worth, Tex.

Author Information

"Evan Jenkins writes the ""Language Corner"" column of the Columbia Journalism Review. and is a consulting editor of CJR. He was editor in residence at the Columbia Graduate School of Journalism; senior editor, Columbia JournalismReview; senior editor, The Racing Times; deputy news editor; The New York Times; chief copy editor, Newsday, and a reporter and copy editor at the Worcester Telegram in Massachusetts."

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