Awards

• Winner of Independent Publishers Book Award (IPPYs) 2023 (United States)

Overview

At sixty-two meters the Leshan Buddha in southwest China is the world's tallest premodern statue. Carved out of a riverside cliff in the eighth century, it has evolved from a religious center to a UNESCO World Heritage Site and popular tourist destination. But this Buddha does not stand alone: Sichuan is home to many cave temples with such monumental sculptures, part of a centuries-long tradition of art-making intricately tied to how local inhabitants made use of their natural resources with purpose and creativity. These examples of art embedded in nature have altered landscapes and have influenced the behaviors, values, and worldviews of users through multiple cycles of revival, restoration, and recreation. As hybrid spaces that are at once natural and artificial, they embody the interaction of art and the environment over a long period of time. This far-ranging study of cave temples in Sichuan shows that they are part of the world's sustainable future, as their continued presence is a reminder of the urgency to preserve culture as part of today's response to climate change. Temples in the Cliffside brings art history into close dialogue with current discourse on environmental issues and contributes to a new understanding of the ecological impact of artistic monuments.

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Reviews

[A] very inspiring contribution to our understanding of ecological art history from the perspective of Asian art. It should be read by anyone who is interested in the interrelationships among Buddhist studies, art history, and environmental humanities. * H-Environment * Sonya Lee’s Temples in the Cliffside is a welcome addition to studies of the religious cliff sculpture of southwestern China. * Journal of Chinese History * [A] truly multidisciplinary work of scholarship that examines Buddhist art from intertwined technical, environmental, religious, historical, aesthetic, economic, and political perspectives...Temples in the Cliffside innovatively locates religious art within its historical, political, and natural landscapes to show how people have managed their relationships to nature, and nonhuman entities in general, in different contexts. At a time when floods will likely wash the Great Buddha’s feet more and more frequently, thinking about art holistically and ecologically is particularly urgent. * CAA Reviews *

Author Information

Sonya S. Lee is professor of Chinese art and visual cultures at the University of Southern California and author of Surviving Nirvana: Death of the Buddha in Chinese Visual Culture.

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