Tastemakers and Tastemaking: Mexico and Curated Screen Violence

Author:   Niamh Thornton
Publisher:   State University of New York Press
ISBN:  

9781438481135


Pages:   236
Publication Date:   01 December 2020
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Tastemakers and Tastemaking: Mexico and Curated Screen Violence


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Author:   Niamh Thornton
Publisher:   State University of New York Press
Imprint:   State University of New York Press
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.227kg
ISBN:  

9781438481135


ISBN 10:   1438481136
Pages:   236
Publication Date:   01 December 2020
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

List of Illustrations Acknowledgments Introduction: Tastemakers and Tastemaking: Questions of Taste, Violence, and Gender 1. Cultural Institutions and Gendered Taste Formation: Nelson Carro and the Cineteca Nacional in 2010 2. Commonplace and Routine: Amat Escalante's Extreme Realism in Los bastardos (2008) and Heli (2013) 3. Reversioning and Thick Contexts: The Cinematic Adaptations of Los de abajo 4. Bodily Excess and Containment: Bordertown (Gregory Nava, 2006) and The Virgin of Juarez (Kevin James Dobson, 2006) 5. Curating Cruelty and Criminality: The Radical Mediation of Kate del Castillo Conclusion: Ethical Reflections on Legitimation and Taste Filmography References Index

Reviews

This book offers a novel perspective on textual analysis by implementing videographic criticism, a groundbreaking methodology based on the radical splitting of images in order to isolate and magnify details and facilitate comparisons and value judgments that are free of personal taste and outside conventional systems of valuation. Tastemakers and Tastemaking is a well-researched and finely written book. - Adela Pineda, author of The Mexican Revolution on the World Stage: Intellectuals and Film in the Twentieth Century


Niamh Thornton's third monograph is a ground-breaking, very well researched, written and documented book that, in a reflective and honest fashion, explores the multilayered elements playing a key role in the decision-making process that tastemakers-film curators, filmmakers and stars/celebrities-face when making, curating or acting in films ... Thornton has successfully opened up a fruitful discussion on the complex elements that construct fictional cinematic narratives and their interactions with social and cultural tensions that shape tastemaking. - Bulletin of Spanish Visual Studies ...a compelling addition to studies of violence in Mexican cultural production. It is sure to prompt scholars and students alike to pause and consider the ways in which structural forces like gender and prestige mould our assessments of violence on screen. - Bulletin of Hispanic Studies This book offers a novel perspective on textual analysis by implementing videographic criticism, a groundbreaking methodology based on the radical splitting of images in order to isolate and magnify details and facilitate comparisons and value judgments that are free of personal taste and outside conventional systems of valuation. Tastemakers and Tastemaking is a well-researched and finely written book. - Adela Pineda, author of The Mexican Revolution on the World Stage: Intellectuals and Film in the Twentieth Century


Author Information

Niamh Thornton is a Reader in Latin American Studies at the University of Liverpool, United Kingdom. She is the author and editor of several books, including iRevolution and Rebellion in Mexican Film/i and iInternational Perspectives on Chicana/o Studies: This World is My Place (coedited with Catherine Leen).

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