Tanaka Kinuyo: Nation, Stardom and Female Subjectivity

Author:   Irene Gonzalez-Lopez ,  Michael Smith
Publisher:   Edinburgh University Press
ISBN:  

9781474431781


Pages:   232
Publication Date:   31 August 2019
Format:   Paperback
Availability:   In Print   Availability explained
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Tanaka Kinuyo: Nation, Stardom and Female Subjectivity


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Author:   Irene Gonzalez-Lopez ,  Michael Smith
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
ISBN:  

9781474431781


ISBN 10:   147443178
Pages:   232
Publication Date:   31 August 2019
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

"It would appear that English language scholarship on Kinuyo Tanaka is just beginning. In addition, this volume is helpful in better understanding some of the outside forces that also played a part in the history of Japanese cinema.--Peter Nellhaus ""Coffee, Coffee and more Coffee"" This collection offers long-overdue attention to Japanese actress/director Tanaka Kinuyo (1909-77)...Taken together, these essays offer praise for a woman--already highly successful as an actress--who claimed her own authorship as a director and continued to grow as an actress as she aged...As someone who refused to be pigeonholed, and who took considerable chances, she blazed a strong trail for others to follow.--LINDA EHRLICH ""FILM QUARTERLY"" This collection provides a valuable overview of Tanaka Kinuyo's long and prolific career as an actress and director. While Tanaka took on the roles of some of the most iconic figures in Japanese cinema, she also embodied many of the deep contradictions around women's status in a rapidly changing society. These authors brilliantly demonstrate how Tanaka overcame multiple challenges to direct her own powerful films about men and women in the unfixed landscape of postwar Japan.--Professor Catherine Russell, Concordia University, Montreal"


It would appear that English language scholarship on Kinuyo Tanaka is just beginning. In addition, this volume is helpful in better understanding some of the outside forces that also played a part in the history of Japanese cinema. -- Peter Nellhaus, Coffee, Coffee and more Coffee This collection offers long-overdue attention to Japanese actress/director Tanaka Kinuyo (1909-77)...Taken together, these essays offer praise for a woman...already highly successful as an actress...who claimed her own authorship as a director and continued to grow as an actress as she aged...As someone who refused to be pigeonholed, and who took considerable chances, she blazed a strong trail for others to follow. -- LINDA EHRLICH, FILM QUARTERLY


"""It would appear that English language scholarship on Kinuyo Tanaka is just beginning. In addition, this volume is helpful in better understanding some of the outside forces that also played a part in the history of Japanese cinema."" -- Peter Nellhaus, Coffee, Coffee and more Coffee ""This collection offers long-overdue attention to Japanese actress/director Tanaka Kinuyo (1909-77)...Taken together, these essays offer praise for a woman...already highly successful as an actress...who claimed her own authorship as a director and continued to grow as an actress as she aged...As someone who refused to be pigeonholed, and who took considerable chances, she blazed a strong trail for others to follow."" -- LINDA EHRLICH, FILM QUARTERLY"


Author Information

Irene González-López is Post-Doctoral Researcher at the Visual and Material Culture Research Centre, Kingston University (London). Irene's research interests are Cinema, Gender Studies, Popular Visual Culture, and Stardom. In addition, she is a translator and has worked with several film festivals in Japan and Europe. Michael Smith was awarded his PhD from University of Leeds in 2013. His research looked at the representation of women in early postwar Japanese cinema, particularly focusing on how the key political and social issues of the period affected their onscreen portrayal. Michael's main research interests are Classical-era Japanese cinema, women directors and 1990s American independent cinema.

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