Overview

INTERNATIONAL BESTSELLER • From the Booker Prize winner and bestselling author of Atonement, an “effortlessly seductive” novel (The New York Times) that masterfully entwines espionage and desire in an unforgettable story of intrigue, betrayal and love. Cambridge student Serena Frome's beauty and intelligence make her the ideal recruit for MI5. The year is 1972. The Cold War is far from over. England's legendary intelligence agency is determined to manipulate the cultural conversation by funding writers whose politics align with those of the government. The operation is code named ""Sweet Tooth."" Serena, a compulsive reader of novels, is the perfect candidate to infiltrate the literary circle of a promising young writer named Tom Haley. At first, she loves the stories. Then she begins to love the man. How long can she conceal her undercover life? To answer that question, Serena must abandon the first rule of espionage: trust no one. Don’t miss Ian McEwan’s new novel, Lessons.

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Reviews

Effortlessly seductive. -- The New York Times McEwan's most stylish and personal book to date. . . . The year's most intensely enjoyable novel. --The Daily Beast Ian McEwan's delicious new novel provides all the pleasures one has come to expect of him: pervasive intelligence, broad and deep knowledge, elegant prose, subtle wit and, by no means least, a singularly agreeable element of surprise. --The Washington Post It's Jane Austen meets John Le CarrE meets John Barth. . . . Remarkable. -- The Boston Globe A tightly crafted, exquisitely executed page-turner--a post-modern hall of mirrors asking savvy questions about identity (with an unreliable narrator and a Martin Amis cameo), all concealed in the immersive trappings of a Victorian novel complete with a marriage plot. There's such rich pleasure and vulnerability in McEwan's storytelling, such style and heart in his well-honed sentences. --USA Today Extremely clever in both the British and American senses . . . his most cheerful book by far. --The New York Times Book Review McEwan has pulled off something remarkable here: Sweet Tooth is a suspenseful plot-and-character-driven novel with an unexpected postmodern twist. It's Jane Austen meets John Le CarrE meets John Barth . . . [Its] delights turn out to be considerable. -- The Boston Globe What could be a better match--Ian McEwan and a spy story? The English writer is a thinking person's best-seller, whose intelligent, tightly plotted novels, narrated in careful prose, address the pressing social and political issues of our days. --San Francisco Chronicle An espionage story that, at its heart, is about literature. . . . Ruminate[s] on writers, writing, and the power of stories. --Entertainment Weekly Spy novels often boast plenty of twists but few real surprises. Sweet Tooth, however, includes a plot development at once unpredictable and plausible. Such is McEwan's dexterity in crafting this game-changer, that not only does it mesh with the story but also enrobes what came before with an extra layer of meaning. . . . Life-affirming and almost defiantly romantic. --The Miami Herald An engaging book that's as much suspenseful drama as it is romantic love story. --NPR Books Ian McEwan's delicious new novel provides all the pleasures one has come to expect of him: pervasive intelligence, broad and deep knowledge, elegant prose, subtle wit and, by no means least, a singularly agreeable element of surprise. --Kansas City Star The novel's pleasures are multiple and, as always with McEwan, they begin with the storytelling. --Bloomberg Businessweek McEwan, a contemporary master of narrative . . . brings suspense and wit to the telling. . . . Sweet Tooth moves elegantly toward its inevitable conclusion. --The Seattle Times A wisecracking thriller hightailing between love and betrayal, with serious counter-espionage credentials thrown in. . . . This is ultimately a book about writing, wordplay and knowingness. --The Sunday Telegraph (London) Thoroughly clever. . . . A sublime novel about novels, about writing them and reading them and the spying that goes on in doing both. . . . McEwan has spied on real life to write Sweet Tooth, and in reading it we are invited to spy on him. . . . Rich and enjoyable. --Financial Times McEwan fans won't be disappointed by Sweet Tooth, and newcomers to the author will be meeting him at the top of his game. --The Globe and Mail (Toronto)

Effortlessly seductive. -- The New York Times McEwan's most stylish and personal book to date. . . . The year's most intensely enjoyable novel. --The Daily Beast Ian McEwan's delicious new novel provides all the pleasures one has come to expect of him: pervasive intelligence, broad and deep knowledge, elegant prose, subtle wit and, by no means least, a singularly agreeable element of surprise. --The Washington Post It's Jane Austen meets John Le Carre meets John Barth. . . . Remarkable. -- The Boston Globe A tightly crafted, exquisitely executed page-turner--a post-modern hall of mirrors asking savvy questions about identity (with an unreliable narrator and a Martin Amis cameo), all concealed in the immersive trappings of a Victorian novel complete with a marriage plot. There's such rich pleasure and vulnerability in McEwan's storytelling, such style and heart in his well-honed sentences. --USA Today Extremely clever in both the British and American senses . . . his most cheerful book by far. --The New York Times Book Review McEwan has pulled off something remarkable here: Sweet Tooth is a suspenseful plot-and-character-driven novel with an unexpected postmodern twist. It's Jane Austen meets John Le Carre meets John Barth . . . [Its] delights turn out to be considerable. -- The Boston Globe What could be a better match--Ian McEwan and a spy story? The English writer is a thinking person's best-seller, whose intelligent, tightly plotted novels, narrated in careful prose, address the pressing social and political issues of our days. --San Francisco Chronicle An espionage story that, at its heart, is about literature. . . . Ruminate[s] on writers, writing, and the power of stories. --Entertainment Weekly Spy novels often boast plenty of twists but few real surprises. Sweet Tooth, however, includes a plot development at once unpredictable and plausible. Such is McEwa

<p> Effortlessly seductive. -- The New York Times <br> McEwan's most stylish and personal book to date. . . . The year's most intensely enjoyable novel. --The Daily Beast <br> Ian McEwan's delicious new novel provides all the pleasures one has come to expect of him: pervasive intelligence, broad and deep knowledge, elegant prose, subtle wit and, by no means least, a singularly agreeable element of surprise. --The Washington Post <br> It's Jane Austen meets John Le Carre meets John Barth. . . . Remarkable. -- The Boston Globe <br> A tightly crafted, exquisitely executed page-turner--a post-modern hall of mirrors asking savvy questions about identity (with an unreliable narrator and a Martin Amis cameo), all concealed in the immersive trappings of a Victorian novel complete with a marriage plot. There's such rich pleasure and vulnerability in McEwan's storytelling, such style and heart in his well-honed sentences. --USA Today <br> Extremely clever in both the British and American senses . . . his most cheerful book by far. --The New York Times Book Review <br> McEwan has pulled off something remarkable here: Sweet Tooth is a suspenseful plot-and-character-driven novel with an unexpected postmodern twist. It's Jane Austen meets John Le Carre meets John Barth . . . [Its] delights turn out to be considerable. -- The Boston Globe <br> What could be a better match--Ian McEwan and a spy story? The English writer is a thinking person's best-seller, whose intelligent, tightly plotted novels, narrated in careful prose, address the pressing social and political issues of our days. --San Francisco Chronicle <br> An espionage story that, at its heart, is about literature. . . . Ruminate[s] on writers, writing, and the power of stories. --Entertainment Weekly <br> Spy novels often boast plenty of twists but few real surprises. Sweet Tooth, however, includes a plot development at once unpredictable and plausible. Such is McEwa

Praise for Sweet Tooth <br> McEwan's most stylish and personal book to date ... The year's most intensely enjoyable novel. <br>-- The Daily Beast<br> <br> A tightly crafted, exquisitely executed page-turner -- a post-modern hall of mirrors asking savvy questions about identity, all concealed in the immersive trappings of a Victorian novel complete with a marriage plot. There's such rich pleasure and vulnerability in McEwan's storytelling, such style and heart in his well-honed sentences. <br>-- USA Today <br> Ian McEwan's delicious new novel provides all the pleasures one has come to expect of him: pervasive intelligence, broad and deep knowledge, elegant prose, subtle wit and, by no means least, a singularly agreeable element of surprise. <br>-- Washington Post<br> <br> As usual McEwan's prose is effortlessly seductive. <br>-- The New York Times <br> As entertaining as a very intelligent novel can be and vice versa ... Sweet Tooth is extremely clever in both the British and American senses (smart as well as amusingly tricky) and his most cheerful book by far. <br>--Kurt Andersen, The New York Times Book Review<br> <br> McEwan has pulled off something remarkable here: Sweet Tooth is a suspenseful plot-and-character-driven novel with an unexpected postmodern twist. It's Jane Austen meets John Le Carre meets John Barth -- not a combination that I imagine anyone has ever walked into a bookstore seeking. But it's one whose delights turn out to be considerable. <br>-- The Boston Globe<br> <br> An engaging book that's as much suspenseful drama as it is romantic love story. <br>--NPR <br> Tricky and captivating ... This is a book you can think about for a long time, a book that lingers and disturbs, in a good way. <br>--Katie Roiphe, Slate <br> With his new novel, Ian McEwan looks set to have his biggest success since 2001's Atonement, and deservedly so. Both books feature eloquent and convincing female narrator/protagonists and have the same s

Author Information

IAN MCEWAN is the critically acclaimed author of seventeen novels and two short story collections. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His novels include The Child in Time, which won the 1987 Whitbread Novel of the Year Award; The Cement Garden; Enduring Love; Amsterdam, which won the 1998 Booker Prize; Atonement; Saturday; On Chesil Beach; Solar; Sweet Tooth; The Children Act; Nutshell; and Machines Like Me, which was a number-one bestseller. Atonement, Enduring Love, The Children Act and On Chesil Beach have all been adapted for the big screen.

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