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OverviewA paradox of surface and depth pervades the field of aesthetics. How can art's surface meanings and qualities be properly appreciated without understanding the cultural context that shapes their creation and perception? But exploring such underlying cultural conditions challenges the perception of thosequalities and meanings of aesthetic surface that constitute the captivating power of art. If aesthetics deals with both surface and depth, impassioned immediacy yet also critical distance of judgment, how can this doubleness be held together in one philosophical vision?In his new book, Richard Shusterman explores the dialectics of surface and depth by examining key issues in the philosophy of art and culture-from the logic of interpretation and evaluation to the roots of taste and convention, from the meanings of aesthetic purity and immediacy to the role of nature, theory, and history in our experience and understanding of art. In treating these topics, Shusterman combines the methods of analytic philosophy, critical theory, and poststructualism to arrive at new positions, displaying the philosophical versatility, originality of vision, and graceful, accessible writing that have become his trademark. Surface and Depth is crowned by a new definition of art as dramatization. Full Product DetailsAuthor: Richard ShustermanPublisher: Cornell University Press Imprint: Cornell University Press Dimensions: Width: 15.20cm , Height: 2.10cm , Length: 22.90cm Weight: 0.454kg ISBN: 9780801486838ISBN 10: 0801486831 Pages: 304 Publication Date: 12 June 2002 Audience: General/trade , College/higher education , Professional and scholarly , General , Undergraduate Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsPhilosophy texts are not the usual fare on our book review menu. This reviewer now feels that we might wish to broaden our diet. In Shusterman's book we find that rare example of a theoretical text that is palatable, even enjoyable for the non-philosopher reader. But best of all, by constructing a new ground for criticism he provides cogent underpinnings for our studies in vernacular architecture. Bryon E. Bronston, Vernacular Architecture Newsletter, Summer 2004 Those familiar with Shusterman's work will find here the critical insight, careful argument, and clever prose they expect. Those who have not before had the pleasure of reading him will find there is no one better at distilling and analyzing contemporary aesthetics: the chapters on Croce, Wittgenstein, Alain Locke, T. S. Eliot, and Bourdieu are exempla of analytic sensitivity combined with the principle of charity. . . . Summing Up: Recommended. Upper-level undergraduates and above. -Choice, January 2004 Author InformationRichard Shusterman is Professor of Philosophy at Temple University and the Collège International de Philosophie. His books include Performing Live: Aesthetic Alternatives for the Ends of Art (also from Cornell), Pragmatist Aesthetics, and Practicing Philosophy. Tab Content 6Author Website:Countries AvailableAll regions |
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