Suppose a Sentence

Author:   Brian Dillon
Publisher:   Fitzcarraldo Editions
ISBN:  

9781913097011


Pages:   160
Publication Date:   23 September 2020
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Suppose a Sentence


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Full Product Details

Author:   Brian Dillon
Publisher:   Fitzcarraldo Editions
Imprint:   Fitzcarraldo Editions
ISBN:  

9781913097011


ISBN 10:   1913097013
Pages:   160
Publication Date:   23 September 2020
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

Praise for ESSAYISM: '[A] wonderful, subtle and deceptively fragmentary little book ... enjoyably roundabout and light-fingered ... To borrow from one of Barthes's titles, this is a lover's discourse, the love object being writing, not only in the essay but in all its forms. It is also a testament to the consolatory, even the healing, powers of art. And at the last, in its consciously diffident fashion - Dillon is a literary flaneur in the tradition of Baudelaire and Walter Benjamin - it is its own kind of self-made masterpiece.' - John Banville, IRISH TIMES


Author Information

Brian Dillon is a freelance writer and critic. He is the editor of Ruins (Whitechapel Gallery/MIT Press, 2011) and author of The Great Explosion (Penguin, 2015), Objects in This Mirror (Sternberg Press, 2014), I Am Sitting in a Room (Cabinet, 2011), Sanctuary (Sternberg Press, 2011), Tormented Hope: Nine Hypochondriac Lives (Penguin, 2009), which was shortlisted for the Wellcome Trust Book Prize, and In the Dark Room (Penguin, 2005) which won the Irish Book Award for non-fiction. Dillon writes regularly on art, books and culture for such publications as the Guardian, the London Review of Books, the IrishTimes, Artforum and frieze. He is Tutor in Critical Writing at the Royal College of Art and UK editor of Cabinet, a quarterly of art and culture based in New York.

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