Supply Chain Cinema: Producing Global Film Workers

Author:   Kay Dickinson (University of Glasgow, UK)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781839024627


Pages:   192
Publication Date:   08 February 2024
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Supply Chain Cinema: Producing Global Film Workers


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Author:   Kay Dickinson (University of Glasgow, UK)
Publisher:   Bloomsbury Publishing PLC
Imprint:   BFI Publishing
ISBN:  

9781839024627


ISBN 10:   1839024623
Pages:   192
Publication Date:   08 February 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

Supply Chain Cinema is a critical reconceptualization of blockbuster film production and a scathing indictment of the ways in which higher education and skills training schemes have become complicit in producing a workforce amendable to demands of global capital. This is essential reading and a cautionary tale that troubles how governments and universities are responding to the creative economy. -- Kevin Sanson, Queensland University of Technology, Australia Supply Chain Cinema is a vital contribution, arguing persuasively that global film production can now best be understood via supply chain logistics, with all the ‘just-in-time’ dynamics of inequity and extraction that this entails. Taking us on a journey to both the UK and the UAE, Dickinson foregrounds the voices and experiences of current and future film workers as they are swept up, trained up and then compelled to navigate the vagaries of the creative supply chain. -- Bridget Conor, University of Auckland, New Zealand


Author Information

Kay Dickinson is Senior Lecturer in the School of Culture and Creative Arts at Glasgow University, UK. She is the author of Arab Film and Video Manifestos: Forty-Five Years of the Moving Image Amid Revolution (2018), Arab Cinema Travels: Transnational Syria, Palestine, Dubai and Beyond (British Film Institute, 2016), and Off Key: When Film and Music Won’t Work Together (2008).

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