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9780972678506

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Featuring transcripts of talks and panel discussions, along with Edward Cohen's evocative black-and-white photos of innovators like Art Blakey, Betty Carter, Ella Fitzgerald, Max Roach and Sarah Vaughan, this book offers a compelling oral history of a most noteworthy event . . . a vital gathering place for artists and educators of all stripes. Though the focus of the conference varied from year to year--one year focused on black music and social change, one on the legacy of Count Basie, one on women in jazz--ongoing themes emerged. Indeed, many of the lectures collected in Such Sweet Thunder explore how music has been a 'soundtrack of survival' in African American culture.--Valley Advocate An essential exposition of the evolution of black American music. . . . I have been inspired and enlightened by this book.--Yusef Lateef, composer and musician A handsome and informative book. . . . I have long considered jazz and film to be our nation's most unique contributions to international art.--Dana Gioia, chairman, National Endowment for the Arts I would highly recommend Such Sweet Thunder for anyone who wishes to grasp the true meaning and significance of black music in America and beyond.--Cheryl L. Keyes, associate professor of ethnomusicology, UCLA Such Sweet Thunder is a triumph.--Jean Bach, director of the film A Great Day in Harlem

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Director of Jazz in July Summer Music Programs at the University of Massachusetts Amherst, Mark Baszak was associate director of the Black Musicians Conference and Festival from 1994 to 1999.

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