Overview

""Submersion journalism"" happens when a reporter dares to see a story from the inside: to participate in the events at hand, sometimes undercover, and then to tell the tale from a distinct point of view rather than pretend to some ideal of objectivity. During the Bush years, Harper's correspondents infiltrated the Republican machine, from its lowliest canvassing operation to its corporate and evangelical elite, and they posed as shady clients for sleazy blue-chip lobbying firms. They shot machine guns, lounged in Vegas brothels, and peered into secret tunnels in Mexicali. They terrorized art museums and touched off worldwide fads. Here are some of the best examples of participatory reporting published in the past decade, called ""brilliant work"" by the Los Angeles Times. Contributors: Charles Bowden Adam Davidson Barbara Ehrenreich Steve Featherstone Kristoffer A. Garin Gary Greenberg Roger D. Hodge Jay Kirk Willem Marx Morgan Meis Jeff Sharlet Jake Silverstein Ken Silverstein Wells Tower William T. Vollmann Bill Wasik

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Over the past several years, has fostered an exciting brand of journalism, participatory, sometimes even correspondents have infiltrated the Republican machine, from its lowliest canvassing operation to its corporate and evangelical elite, and they have posed as shady clients for sleazy blue-chip lobbying firms. They have shot machine guns, lounged in Vegas brothels, and peered into secret tunnels in Mexicali. They have terrorized art museums and touched off worldwide fads.

Proof of the indelible power of . . . detailed nonfiction storytelling. -- Washington City Paper It's always exciting to see collections like these come out, if only for the fact that they highlight some of the best, most entertaining journalism ever written. -- The Millions Admirable. . . . The selections are tightly and sometimes masterfully written. -- Austin Chronicle An often-witty and engaging collection, proof positive that there are still reporters who prod, dig and poke. Not content to be embedded or press-release-driven, these journalists exemplify what it means to be intrepid investigators and inquisitors of power, whether personal or political. -- The Indypendent A great anthology, chock full of fantastic articles. -- Good This collection should be read by any student who aspires to the true art of journalism, as well as anyone who wants to learn more about what really goes on in American politics--and society--today. -- Library Journal A terrific retrospective collection. -- Booklist Although these are nonfiction contributions, they often read like literature. -- The Brooklyn Rail

Proof of the indelible power of . . . detailed nonfiction storytelling. --<i>Washington City Paper</i> It's always exciting to see collections like these come out, if only for the fact that they highlight some of the best, most entertaining journalism ever written. --<i>The Millions</i> Admirable. . . . The selections are tightly and sometimes masterfully written. --<i>Austin Chronicle</i> An often-witty and engaging collection, proof positive that there are still reporters who prod, dig and poke. Not content to be embedded or press-release-driven, these journalists exemplify what it means to be intrepid investigators and inquisitors of power, whether personal or political. --<i>The Indypendent</i> A great anthology, chock full of fantastic articles. --<i>Good</i> This collection should be read by any student who aspires to the true art of journalism, as well as anyone who wants to learn more about what really goes on in American politics--and society--today. --<i>Library Journal</i> A terrific retrospective collection. --<i>Booklist</i> Although these are nonfiction contributions, they often read like literature. --<i>The Brooklyn Rail</i>

""Proof of the indelible power of . . . detailed nonfiction storytelling."" —Washington City Paper ""It’s always exciting to see collections like these come out, if only for the fact that they highlight some of the best, most entertaining journalism ever written."" —The Millions ""Admirable. . . . The selections are tightly and sometimes masterfully written."" —Austin Chronicle ""An often-witty and engaging collection, proof positive that there are still reporters who prod, dig and poke. Not content to be embedded or press-release-driven, these journalists exemplify what it means to be intrepid investigators and inquisitors of power, whether personal or political."" —The Indypendent ""A great anthology, chock full of fantastic articles."" —Good ""This collection should be read by any student who aspires to the true art of journalism, as well as anyone who wants to learn more about what really goes on in American politics—and society—today."" —Library Journal ""A terrific retrospective collection."" —Booklist ""Although these are nonfiction contributions, they often read like literature."" —The Brooklyn Rail

Author Information

Bill Wasik is a senior editor at Wired Magazine and was previously a senior editor at Harper's Magazine. He is the author of And Then There's This: How Stories Live and Die in Viral Culture; a co-author, with Monica Murphy, of Rabid: A Cultural History of the World's Most Diabolical Virus; and the editor of Submersion Journalism: Reporting in the Radical First Person from Harper's Magazine (The New Press). He lives in Oakland, California.

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