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OverviewFull Product DetailsAuthor: Claudio Bacciagaluppi , Hans-Günter Ottenberg , Luca ZoppelliPublisher: Peter Lang AG, Internationaler Verlag der Wissenschaften Imprint: Peter Lang AG, Internationaler Verlag der Wissenschaften Edition: New edition Volume: 8 Weight: 0.720kg ISBN: 9783034312066ISBN 10: 3034312067 Pages: 520 Publication Date: 04 April 2013 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Language: English & Italian Table of ContentsContenuto/Contents: Claudio Bacciagaluppi/Hans-Günter Ottenberg/Luca Zoppelli: Prefazione – Vincenzo De Vivo: Die Pergolesi-Stiftung und -Forschung im Jubiläumsjahr 2010 – Claudio Toscani: Schritte auf dem Weg zu einer neuen textkritischen Ausgabe der Werke Pergolesis – Kai Köpp: Giovanni Battista Pergolesi and the Concept of Musical ‘Orthography’ - Understanding Written and Unwritten Articulation in Eighteenth-Century Music – Jóhannes Ágústsson: Giovanni Alberto Ristori at the Court of Naples 1738-1740 – Paologiovanni Maione: La musica ‘viaggiante’ nelle carte dei ministri napoletani a Dresda nel Settecento – Janice B. Stockigt: Italian Composers Listed in the «Catalogo 1765» («Schürer-Katalog») of the Dresden Hofkirche – Ortrun Landmann: Porpora in Dresden – Stefano Aresi: Porpora tra Dresda e Vienna: i Sei duetti sulla Passione di Cristo – Claudio Bacciagaluppi: Parodies in Pergolesi’s Sacred Music: Some Reflections on Central European Sources – Marc Niubo: Giovanni Battista Pergolesi in Eighteenth-Century Bohemia – Václav Kapsa/Jana Perutková/Jana Spáčilová: Some Remarks on the Relationship of Bohemian Aristocracy to Italian Music at the Time of Pergolesi – Tomasz Jeż: The Reception of Neapolitan Music in the Monastic Centres of Baroque Silesia – Roberto Scoccimarro: The Question of ‘Mixed’ Form in Mass Settings by Jan Dismas Zelenka and ‘Neapolitan’ Composers of the Early Eighteenth Century – Paolo Sullo: La fortuna europea delle raccolte di solfeggi di Leonardo Leo – Alessandro Lattanzi: The Instrumental Music of Domenico de Micco and Its Attribution to Hasse in German Sources – Hans-Günter Ottenberg: Giovanni Battista Pergolesis La Serva padrona und Stabat mater im Spiegel des deutschsprachigen Musikschrifttums des 18. und frühen 19. Jahrhunderts.ReviewsAuthor InformationClaudio Bacciagaluppi è assistente di ricerca a Friburgo e lavora per RISM Svizzera. Si occupa di musica sacra del Sei e Settecento, a Napoli e nella regione alpina. Hans-Günter Ottenberg, dopo aver ottenuto il dottorato alla Humboldt-Universität Berlin e la ‘Habilitation’ all’Università di Halle-Wittenberg, dal 1993 è professore di musicologia alla Technische Universität Dresden. Le sue ricerce vertono sulla storia della musica nel XVIII secolo, la storia della critica musicale e la storia sociale della musica. Particolare interesse rivestono Carl Philipp Emanuel Bach, e la storia musicale di Dresda e Berlino. Professore all’Università di Friburgo, Luca Zoppelli ha studiato l’estetica musicale dell’Europa nell’ancien régime, la drammaturgia del teatro musicale in generale, l’opera del XIX secolo, vista in prospettiva comparatistica. Co-direttore dell’edizione critica delle opere di Bellini, dirige l’Annuario svizzero di musicologia e la serie Musik aus Schweizer Klöstern. Ha curato le edizioni critiche di Maria di Rohan (Donizetti) e de La sonnambula (Bellini). Claudio Bacciagaluppi is research assistant at Fribourg and works for the Swiss RISM office. His main focus is on sacred music in the 17th and 18th centuries, both in Naples and in the Alpine region. Hans-Günter Ottenberg has been professor of musicology at the Technische Universität Dresden since 1993, after obtaining his DPhil ad the Humboldt-Universität Berlin and his ‘Habilitation’ in Halle-Wittenberg. His research centres on music history of the 18th century, history of music criticism, and social history of music. His interests focus particularly on Carl Philipp Emanuel Bach and musical history of Dresden and Berlin. Luca Zoppelli is professor at Fribourg University. He studies musical aesthetics in ancien régime Europe, musical theatre dramaturgy in general, and opera in the 19th century in comparative perspective. Co-director of the critical edition of Bellini, he is editor of the Swiss musicological yearbook and of the series Musik aus Schweizer Klöstern. He published the critical editions of Maria di Rohan (Donizetti) and La Sonnambula (Bellini). Tab Content 6Author Website:Countries AvailableAll regions |
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