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This irrepressibly vibrant page-turner is the first art historical reading of Occupy Wall Street, and a canny account of politically engaged art before, during and after the events of 2011. I'm tempted to call it the sequel to Artificial Hells, but this would do a disservice to its enthusiastic approach to activism. No left melancholia here-just a powerful commitment to the liberatory horizon of both progressive art and politics. - Claire Bishop, author of Artificial Hells: Participatory Art and the Politics of Spectatorship A lucid and sure-footed guide to today's renaissance of art radicalism. A participant as well as a critic, McKee knows exactly what he is talking about, and the result is red hot. - Andrew Ross, author of Creditocracy and the Case for Debt Refusal McKee's elegant and illuminating book investigates the intersection of activism and contemporary art in a way that transforms our understanding of both. - Michael Hardt, coauthor of Empire Why in this era of neoliberalism and its diktat-Commodify Everything!-has art increasingly become a critique of commodification? Is this anomaly an expression of the peak of cynicism-with artists making money by criticizing it-or is this the prefiguration of a new connection between art and anti-capitalist revolution? If these questions concern you, then Yates Mckee's Strike Art is a book you need to read. - George Caffentzis, author of In Letters of Blood and Fire In this lively and engaging book, Yates McKee turns the old concept of the Art Strike on its head. Strike Art asks its readers to move outside the art system and get ready for the artist as organizer. A must-read for activists, visual or otherwise, everywhere. - Nicholas Mirzoeff, author of How to See the World In this inspirational and engaging analysis, McKee positions art as more than mere protest graphics, rebellious puppetry, or subversive chanting: the energies of social, economic, and political transformation go right to the heart of Occupy's world-changing creativity. Art in the post-Occupy condition-one that addresses climate justice activism as much as Black Lives Matter, Strike Debt as much as post-capitalist commoning practices-surpasses the containment of art institutions, daring to reinvent the very terms of life today. - T.J. Demos, author of The Migrant Image: The Art and Politics of Documentary During Global Crisis A profound and insightful book that asks us, using descriptions, history and theory, if there can ever be art without movement, or movement without art. - Marina Sitrin and Dario Azzellini, authors of They Can't Represent Us!: Reinventing Democracy from Greece to Occupy Strike Art is, above all, a book of cultural documentation, one that relives the events and ethical spectacle of a radical political moment that seems to be giving way, in the usual manner, to a pursuit of electoral success rather than wholesale reform. The art that McKee discusses is often transient by design, produced by collectives or anonymous bodies, and distributed freely or slyly entered into the circulation systems of the culture at large. - Harper's McKee is at his best in creatively reading the symbols of Occupy Wall Street. - The National Strike Art is written by someone who was directly involved in the day-to-day organizing work of [Occupy Wall Street], and who continues to participate in the movement's afterlife. McKee's book is therefore replete with granular information about the ambitious, and sometimes ambiguous, revolt of the 99%, details that other commentators can only address in a second-hand manner. In this sense he aligns his writing with Walter Benjamin's well-known directive that authors become producers with a 'tendentious' tilt towards working class struggles. - E-flux Because he is both committed to what he recounts but also nuanced in his criticisms, McKee's book is one of the most coherent presentations of the new kinds of activist art that we have seen emerge since the development of social media and by and large after the emergence of the alterglobalization Left in the late 1990s. - Marx and Philosophy

"This irrepressibly vibrant page-turner is the first art historical reading of Occupy Wall Street, and a canny account of politically engaged art before, during and after the events of 2011. I'm tempted to call it the sequel to Artificial Hells, but this would do a disservice to its enthusiastic approach to activism. No left melancholia here-just a powerful commitment to the liberatory horizon of both progressive art and politics. -- Claire Bishop, author of Artificial Hells: Participatory Art and the Politics of Spectatorship Strike Art is, above all, a book of cultural documentation, one that relives the events and ""ethical spectacle"" of a radical political moment that seems to be giving way, in the usual manner, to a pursuit of electoral success rather than wholesale reform. The art that McKee discusses is often transient by design, produced by collectives or anonymous bodies, and distributed freely or slyly entered into the circulation systems of the culture at large. * Harper's * Strike Art is written by someone who was directly involved in the day-to-day organizing work of [Occupy Wall Street], and who continues to participate in the movement's afterlife. McKee's book is therefore replete with granular information about the ambitious, and sometimes ambiguous, revolt of the 99%, details that other commentators can only address in a second-hand manner. In this sense he aligns his writing with Walter Benjamin's well-known directive that authors become producers with a 'tendentious' tilt towards working class struggles. * E-flux *"

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YATES MCKEE’S writing has appeared in October, Grey Room, South Atlantic Quarterly, The Nation and Artforum. He is co-editor of the movement magazine Tidal, and the anthology Sensible Politics: The Visual Cultures of Nongovernmental Activism.

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