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Author:   Brooks McNamara
Publisher:   University Press of Mississippi
Edition:   New edition
ISBN:  

9780878058327


Pages:   277
Publication Date:   29 February 1996
Format:   Paperback
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

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Full Product Details

Author:   Brooks McNamara
Publisher:   University Press of Mississippi
Imprint:   University Press of Mississippi
Edition:   New edition
Dimensions:   Width: 15.20cm , Height: 1.50cm , Length: 22.90cm
Weight:   0.333kg
ISBN:  

9780878058327


ISBN 10:   087805832
Pages:   277
Publication Date:   29 February 1996
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

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Reviews

A loose, cheerful survey of that uniquely American phenomenon, the medicine show, with such attendant wonders as Indian acts, acrobatics, and slapstick comedy routines. Circus, lecture tour, variety act, traveling medical practice and pharmacy in one, the medicine show in the 19th century formed one of the infrequent, cherished links between the big bad world and small-town America. The central focus was of course the combined medical harangue and sales pitch, accompanied by on-the.spot diagnosis and cure with Wizard Oil or Kickapoo Indian Sagwa. A few shows were accredited representatives of commercial firms; most sold standard remedies under their own name. The Indian shows, which flourished in the 1880's and '90's, featured troupes of real Indians, grunting supposed testimony to the power of the secret Indian herb remedies which the white men were for the first time EVER privileged to divulge. In one form or another the medicine shows prospered into the 1930's, when the electronic competition started to usurp (and sharpen the wits of) their hick audience; a few survivors remained, astonishingly, through the 1950's. McNamara's emphasis is on engaging detail (much of it from the memoirs of the performers) rather than systematic chronology or cultural history (though the standardized comedy bits get a good deal of attention as a spontaneous popular art form); he refrains from underlining such obvious and melancholy points as the close kinship of the medicine show to the TV drug commercial. There's a certain amount of repetition (inevitable in this low-keyed casual approach), but McNamara projects an amiable relish for the sheer enterprising rascality of it all. (Kirkus Reviews)


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