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A well-researched history of the complicated relationships between the architect of Star Wars, George Lucas, and his contemporaries, his creations, and the fans . . . A brief overview of science fiction fandom, from publisher Hugo Gernsback to fan fiction, slash fiction, and the concept of canon is helpful, as is the exploration of the way Lucas' success licensing merchandise changed the landscape. Benson also draws connections between Lucas' films and his insecurity as an outsider and his conflict between commerce and artistic integrity. Most compelling is the exploration of the complicated relationship between producers and fans, and readers from any fandom will find much of interest.--Booklist Benson traces Lucas's transformation from the nerdy director of avant-garde films like 1971's THX-1138 into the consummate studio mogul who, in 2012, sold his series to Disney for more than $4 billion. In this context, Lucas's protracted battle with Star Wars fans over control of his films' legacy emerges as both a repudiation of his nerdy roots and an all-too-nerdy appeal for attention and affirmation.--Publishers Weekly

Benson traces Lucas's transformation from the nerdy director of avant-garde films like 1971's THX-1138 into the consummate studio mogul who, in 2012, sold his series to Disney for more than $4 billion. In this context, Lucas's protracted battle with Star Wars fans over control of his films' legacy emerges as both a repudiation of his nerdy roots and an all-too-nerdy appeal for attention and affirmation.--Publishers Weekly

A well-researched history of the complicated relationships between the architect of Star Wars, George Lucas, and his contemporaries, his creations, and the fans . . . A brief overview of science fiction fandom, from publisher Hugo Gernsback to fan fiction, slash fiction, and the concept of canon is helpful, as is the exploration of the way Lucas' success licensing merchandise changed the landscape. Benson also draws connections between Lucas' films and his insecurity as an outsider and his conflict between commerce and artistic integrity. Most compelling is the exploration of the complicated relationship between producers and fans, and readers from any fandom will find much of interest.-- Booklist Benson (English, Univ. of Wisconsin-Parkside) provides Lucas's biography, tracking his entrepreneurial spirit through film school to relationships with like-minded directors Steven Spielberg and Francis Ford Coppola, and his early films THX 1138 and American Graffiti. Lucas believed his films succeeded because of him, so when fans turned against him--specifically with the Star Wars prequels and revisions to the original trilogy--he took it as a personal disavowal, leading to the sale of Lucasfilm to Disney in 2012. Benson examines the wide breadth of Star Wars fan fiction and draws parallels between Lucas and Darth Vader, who, according to him, both betrayed their initial paths to achieve power.-- Library Journal Benson traces Lucas's transformation from the nerdy director of avant-garde films like 1971's THX-1138 into the consummate studio mogul who, in 2012, sold his series to Disney for more than $4 billion. In this context, Lucas's protracted battle with Star Wars fans over control of his films' legacy emerges as both a repudiation of his nerdy roots and an all-too-nerdy appeal for attention and affirmation.-- Publishers Weekly

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Josef Benson is an assistant professor of English at the University of Wisconsin Parkside where he offers courses in contemporary literature, African American literature, gender studies, poetry writing, fiction writing, and composition. He is the author of Hypermasculinities in the Contemporary Novel: Cormac McCarthy, Toni Morrison, and James Baldwin (2014) and J.D. Salinger’s The Catcher in the Rye: A Cultural History (2018).

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