Overview

During the post-production of 2001: A Space Odyssey, Stanley Kubrick began working on his next project, a biopic on Napoleon Bonaparte. The dramatic rise and fall of the French emperor made for a great story, but it was his mind that most interested Kubrick, who couldn't grasp how a brilliant tactician could fall victim to his own irrational temptations-and with devastating consequences. While working on the script, Kubrick read every book about Napoleon that he could obtain, consulted with history experts, and amassed a database of research material that was by any standards excessive, including over 30,000 illustrations and location-scouting photos. Costumes were researched and designed, including paper military uniforms (to keep costs down). But as production neared, first M.G.M. and then United Artists got cold feet; historical epics were too risky at the time. Surely they regret it now, but cost of production was, in their opinion, not worth the risk. Kubrick's interest in Napoleon continued throughout the rest of his life, but the budget required to do the film the way he wanted was never realistic. Had he lived until the thousands of soldiers and horses he envisioned in the epic battle scenes could be convincingly rendered by computer, perhaps he would have made Napoleon. Perhaps it would have been his greatest achievement. TASCHEN's 2009 Limited Edition featured ten books-Script, Reference, Notes, Correspondence, Chronology, Production, Text, Costumes, Location Scouting, and Picture File-inside of a carved-out book. This new volume brings all original elements together in one compact volume, including a facsimile of Kubrick's complete screenplay. In over 800 profusely illustrated pages, this collection of goodies contains all the clues to Kubrick's methods, ideas, motivations, questions, intentions, and obsessions-everything you could ever want to know about the project and more.

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9783836568890

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While the film never made it to the silver screen, the book gives a unique insight into Kubrick's vision. This is a place for future directors to begin.

Author Information

Writer and editor Alison Castle studied philosophy, photography, and film at Columbia (B.A.) and NYU (M.A.). Her publications include The Stanley Kubrick Archives, Stanley Kubrick’s Napoleon, and The Complete Jacques Tati, and her writing has appeared in Gagosian Quarterly, Vogue Italia, Vogue China, The Road Rat, and Chaos 69. She is also the president of Wendell Castle Project, a nonprofit organization dedicated to the late artist's legacy and archives.

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