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OverviewHow and why did a medieval female saint from the Eastern Mediterranean come to be such a powerful symbol in early modern Rome? This study provides an overview of the development of the cult of Catherine of Alexandria in Renaissance Rome, exploring in particular how a saint's cult could be variously imaged and 'reinvented' to suit different eras and patronal interests. Cynthia Stollhans traces the evolution of the saint's imagery through the lens of patrons and their interests-with special focus on the importance of Catherine's image in the fashioning of her Roman identity-to show how her imagery served the religious, political, and/or social agendas of individual patrons and religious orders. Full Product DetailsAuthor: Cynthia StollhansPublisher: Taylor & Francis Ltd Imprint: Routledge Edition: New edition Weight: 0.680kg ISBN: 9781409447511ISBN 10: 1409447510 Pages: 208 Publication Date: 10 January 2014 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews"'Situated within the evolution and tradition of St. Catherine scholarship and offering a tightly-focused examination of the cult in a specific time and place, Stollhans delves deeply into the issue of artistic patronage in Renaissance Rome, examining the ways in which various patrons used and referenced Catherine's cult to forward their own agendas and formulate their public identities ... a fascinating study of the uses and applications of the Catherine cult.' Scott B. Montgomery, University of Denver, USA; author of Saint Ursula and the Eleven Thousand Virgins of Cologne 'St. Catherine of Alexandria is a ""multi-purpose saint,"" ""thrice-crowned"" as virgin, martyr, and doctor. Most of all, she had the ""one-two combo of beauty and intelligence"". Relatively recent studies have explored her cult in Western Christendom and in northern Europe - England and France - in particular. Cynthia Stollhans complements this literature with a focus on Rome, the city of all saints, and the development of Catherine's cult in the papal city from the eighth to the sixteenth century.' Studies in Iconography" Situated within the evolution and tradition of St. Catherine scholarship and offering a tightly-focused examination of the cult in a specific time and place, Stollhans delves deeply into the issue of artistic patronage in Renaissance Rome, examining the ways in which various patrons used and referenced Catherine's cult to forward their own agendas and formulate their public identities ... a fascinating study of the uses and applications of the Catherine cult.'-Scott B. Montgomery, University of Denver. USA; author of Saint Ursula and the Eleven Thousand Virgins of Cologne 'Situated within the evolution and tradition of St. Catherine scholarship and offering a tightly-focused examination of the cult in a specific time and place, Stollhans delves deeply into the issue of artistic patronage in Renaissance Rome, examining the ways in which various patrons used and referenced Catherine's cult to forward their own agendas and formulate their public identities ... a fascinating study of the uses and applications of the Catherine cult.' Scott B. Montgomery, University of Denver, USA; author of Saint Ursula and the Eleven Thousand Virgins of Cologne 'St. Catherine of Alexandria is a multi-purpose saint, thrice-crowned as virgin, martyr, and doctor. Most of all, she had the one-two combo of beauty and intelligence . Relatively recent studies have explored her cult in Western Christendom and in northern Europe - England and France - in particular. Cynthia Stollhans complements this literature with a focus on Rome, the city of all saints, and the development of Catherine's cult in the papal city from the eighth to the sixteenth century.' Studies in Iconography Author InformationCynthia Stollhans is Associate Professor of Art History at Saint Louis University, USA. Tab Content 6Author Website:Countries AvailableAll regions |