Overview

In Spirit Song: Afro-Brazilian Religious Music and Boundaries, Marc Gidal investigates how and why a multi-faith community in southern Brazil utilizes music to combine and segregate three Afro-Brazilian religions: Umbanda, Quimbanda, and Batuque. Combining ethnomusicology and symbolic boundary studies, Gidal advances a theory of musical boundary-work: the ways music reinforces, bridges, or blurs boundaries, whether for personal, social, spiritual, or political purposes. Gidal focuses on spirit-mediumship rituals and their musical accompaniment, exploring how the Afro-gaucho religious community employs music and rituals to variously promote innovation and egalitarianism in Umbanda and Quimbanda, while it reinforces musical preservation and hierarchies in Batuque. Religious and musical leaders carefully restrict the cosmologies, ceremonial sequences, and sung prayers of one religion from affecting the others so as to safeguard Batuque's African heritage. Members of disenfranchised populations view the religions as vehicles for empowerment, whether based on race-ethnicity, gender, or religious belief; and innovations in ritual music reflect this activism. These rituals come to life through illustrative video and audio examples on the book's companion website. The first book in English to focus on music in Afro-Brazilian religions, Spirit Song is a landmark study that will be of interest to ethnomusicologists, anthropologists, and religious studies scholars.

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9780199368228

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Reviews

The book's rich ethnographic description and extended, expert attention to music make it a unique and valuable contribution to the literature on Afro-Brazilian religions. --<em>Reading Religion</em>

Marc Gidal offers a ground-breaking study of the musical traditions of Brazils Afro-Brazilian religions ... The technical aspects of the musical boundary-work he describes should not prevent the student of Afro-Brazilian religions from thoroughly enjoying this book. Gidal has added to our understanding of how these Afro-Brazilian religious traditions clarify their distinct and overlapping histories. This study should be of interest to students of Afro-Brazilian religion, history, ethnography, and anthropology. * Patricia Barker Lerch, Nova Religio *

Author Information

Marc Gidal, Ph.D., is Associate Professor of Music (Musicology) at Ramapo College of New Jersey. He holds degrees in ethnomusicology and religious studies.

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