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OverviewThis book interrogates the relation between film spectatorship and film theory in order to criticise some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns. Theory, in this perspective, should not be seen as a practice distinct from spectatorship but rather as an integral aspect of the spectator’s gaze. Combining Jacques Rancière’s emancipated spectator with Judith Butler’s queer theory of subjectivity, Spectatorship and Film Theory foregrounds the contingent, embodied and dialogic aspects of our experience of film. Erratic and always a step beyond the grasp of disciplinary discourse, this singular work rejects the notion of the spectator as a fixed position, and instead presents it as a field of tensions—a “wayward” history of encounters. Full Product DetailsAuthor: Carlo ComanducciPublisher: Springer Nature Switzerland AG Imprint: Springer Nature Switzerland AG Edition: Softcover reprint of the original 1st ed. 2018 Dimensions: Width: 14.80cm , Height: 1.20cm , Length: 21.00cm Weight: 0.454kg ISBN: 9783030072407ISBN 10: 3030072401 Pages: 208 Publication Date: 03 January 2019 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of Contents1. Introduction: Film theory, a divided passion?.- 2. The heteronomy of subjectivity and the spectator’s emancipation.- 3. Everyday film theory.- 4. Situatedness and contingency of film experience.- 5. The process of free association and film as an evocative object.- 6. The indeterminacy of embodiment.- 7. The spectator as a history of encounters.ReviewsAuthor InformationCarlo Comanducci teaches at Vistula University, Warsaw, Poland. He writes on cinema and spectatorship, psychoanalytic theory, anarchy and the politics of aesthetics. Tab Content 6Author Website:Countries AvailableAll regions |
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