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ENG Drawing upon theories on the novel in Bakhtin's Dialogic Imagination, this book examines Nuevo Romanticismo through the lens of Russo-Soviet littrature engage. The term Nuevo Romanticismo originated in Jos Daz Fernndez's eponymous essay and has been applied to a group of writers who exemplified a rehumanization of the field of Spanish cultural production. In contrast with the dehumanized tendencies noted by Ortega y Gasset, writers Csar Arconada, Ramn J. Sender, and Lusia Carns combined avant-garde aesthetics and a deep preoccupation with the human condition, creating a model of politically engaged art in part through transcultural dialogues with Russian literary models. This study explores the deep connection between Spanish and Russian narratives immediately before and during the Second Republic, as well as themes as relevant today as nearly a century ago: the ethics of war, the new woman, and responses to machine culture in the modern age. Lynn C. Purkey is an Associate Professor of Spanish at the University of Tennessee at Chattanooga. RUS Nuevo Romanticismo ( ) , . , , Nuevo Romanticismo . , -- , , . , - . , , : , , .

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ENG Lynn Purkey is a UC Foundation Professor of Spanish as at the University of Tennessee at Chattanooga. She received her Ph.D. in Hispanic Languages and Literatures at UC Berkeley. Her research interests include European Modernisms, Hispanic women writers, literary representations of war, and the exiles of 1939. She is the author of Spanish Reception of Russian Narratives 1905-1939: Transcultural Dialogics. Recent scholarship includes work on Mara Teresa Len, Garca Lorca, and Csar Arconada. RUS - . , , .

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