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OverviewFull Product DetailsAuthor: Phil Alexander (British Academy Postdoctoral Fellow, British Academy Postdoctoral Fellow, University of Glasgow)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.60cm , Height: 3.10cm , Length: 16.00cm Weight: 0.930kg ISBN: 9780190064433ISBN 10: 0190064439 Pages: 358 Publication Date: 21 April 2021 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsWith this rich, incisive account of klezmer's reinvention in contemporary Berlin, Phil Alexander makes a compelling contribution to the scholarship of contemporary urban musics, reaching beyond well-worn narratives of heritage, multiculturalism and appropriation to demonstrate how musical practices are produced by - and share in producing - the city around them. * Abigail Wood, Senior Lecturer, Department of Music, School of Arts, University of Haifa * This is the first full-length study of a single klezmer and Yiddish music community: Berlin in the early to mid-2010s. Alexander beautifully shows how place is both involved in and impacted by the development of this local and at the same time transnational music scene. Drawing on urban studies and cultural studies alongside ethnomusicology, Alexander expands outwards from this snapshot of a particular moment in time, interrogating the nature of music revivals and exposing all of the resonances and contradictions involved, from ethnic, religious and national identities to affinities, continuities and ruptures, aesthetics, ideologies, politics, and memorial culture. It makes an important contribution to urban ethnomusicology, Jewish and ethnic studies, and to intercultural dialogue. * Joel E. Rubin, Associate Professor of Music, University of Virginia, ethnomusicologist, clarinetist, bandleader, recording artist * """This is the first full-length study of a single klezmer and Yiddish music community: Berlin in the early to mid-2010s. Alexander beautifully shows how place is both involved in and impacted by the development of this local and at the same time transnational music scene. Drawing on urban studies and cultural studies alongside ethnomusicology, Alexander expands outwards from this snapshot of a particular moment in time, interrogating the nature of music revivals and exposing all of the resonances and contradictions involved, from ethnic, religious and national identities to affinities, continuities and ruptures, aesthetics, ideologies, politics, and memorial culture. It makes an important contribution to urban ethnomusicology, Jewish and ethnic studies, and to intercultural dialogue."" -- Joel E. Rubin, Associate Professor of Music, University of Virginia, ethnomusicologist, clarinetist, bandleader, recording artist ""With this rich, incisive account of klezmer's reinvention in contemporary Berlin, Phil Alexander makes a compelling contribution to the scholarship of contemporary urban musics, reaching beyond well-worn narratives of heritage, multiculturalism and appropriation to demonstrate how musical practices are produced by DL and share in producing DL the city around them."" -- Abigail Wood, Senior Lecturer, Department of Music, School of Arts, University of Haifa" Author InformationPhil Alexander, British Academy Postdoctoral Research Fellow, University of Edinburgh Phil Alexander is a British Academy Postdoctoral Research Fellow in the Reid School of Music at the University of Edinburgh, where he researches Scottish-Jewish musical encounters. Besides klezmer music and urban space, his published research also explores Edinburgh salsa, Holocaust memorial silence, synagogue cantors in early twentieth-century Glasgow, and accordions. Tab Content 6Author Website:Countries AvailableAll regions |