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Author:   jessie l. beier ,  Owen Chapman
Publisher:   Springer International Publishing AG
Imprint:   Palgrave Macmillan
Edition:   2024 ed.
ISBN:  

9783031694042

ISBN 10:   303169404
Pages:   254
Publication Date:   22 December 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

CHAPTER 1: INTRODUCTION.- CHAPTER 2: Hope as Very Low Frequency Practice (A Side): Listening as Being-With Uncertainty.- CHAPTER 3: Hope as Very Low Frequency Practice (Side B): Listening as Longing to Be Undone.- CHAPTER 4: Hospicing Hope in Education: Swansongs, Sustainability, and a Pedagogical Ethic of Listening.- CHAPTER 5: What do I Hear, and How do I listen? Thinking with Sound on the Lachine Canal.- CHAPTER 6: Extremity, Hope, and Sound in the Colonial Experience.- CHAPTER 7: Musicking as a Radical Act of Hope: An Arts-Based Theoretical Reflection.- CHAPTER 8: “Back to 1999:” Exploring Speculative Nostalgia with Hyperpop.- CHAPTER 9: Nothing, But Hope: A Conversation.- CHAPTER 10. Weird Horizons: Sound Research at the Sonic Brink.

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Author Information

jessie beier (PhD) is a teacher, artist, researcher, philosopher, and conjurer of weird pedagogies for unthought futures. She is an Assistant Professor in Art Education at Concordia University (Montréal) and author of the book Pedagogy at the End of the World: Weird Pedagogies for Unthought Educational Futures (Palgrave MacMillan, 2023). jessie’s artistic practice deploys sonic, video, textual, illustrated, and relational elements to stage speculative scenarios and immersive, site-specific installations. Owen Chapman (PhD) is a composer, DJ, and researcher. He is a Professor in Communication Studies at Concordia University (Montréal) and his writings have appeared in publications including the Canadian Journal of Communication, Esse, Media-N, and Organised Sound. His audio work involves live performance and electronic composition and has been featured internationally in video soundtracks, media workshops, site-specific installations, as well as solo and group performances.

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