Soho on Screen: Cinematic Spaces of Bohemia and Cosmopolitanism, 1948-1963

Author:   Jingan Young ,  Peter Bradshaw
Publisher:   Berghahn Books
ISBN:  

9781800734777


Pages:   262
Publication Date:   13 May 2022
Format:   Hardback
Availability:   In Print   Availability explained
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Soho on Screen: Cinematic Spaces of Bohemia and Cosmopolitanism, 1948-1963


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Overview

Despite Soho's rich cultural history, there remains an absence of work on the depiction of the popular neighbourhood in film. Soho on Screen provides one of the first studies of Soho within postwar British cinema. Drawing upon historical, cultural and urban studies of the area, this book explores twelve films and theatrically released documentaries from a filmography of over one hundred Soho set productions. While predominantly focusing on low-budget, exploitation films which are exemplars of British and international filmmaking, Young also offers new readings of star and director biographies, from Laurence Harvey to Emeric Pressburger, and in so doing enlivens discussion on filmmaking in a time and place of intense social transformation, technological innovation and growing permissiveness.

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Author:   Jingan Young ,  Peter Bradshaw
Publisher:   Berghahn Books
Imprint:   Berghahn Books
ISBN:  

9781800734777


ISBN 10:   1800734778
Pages:   262
Publication Date:   13 May 2022
Audience:   Professional and scholarly ,  Professional & Vocational ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

This impressive and imaginative study explores Soho's representation in films from multiple angles, situating these films in the broader social and cultural context of postwar Britain. By covering an admirably wide range of films, including some lesser-known ones, Jingan Young explores Soho's image on screen during the 1950s and early 1960s as a way of examining changing ideas surrounding British national identity, London's immigrant communities, youth culture, sex and commercialism. Chris O'Rourke, University of Lincoln


Author Information

Jingan Young in an award-winning screenwriter and journalist. She is a lecturer at Birkbeck University and King's College London. She edited Foreign Goods: A Selection of Writing from British East Asian Artists (Bloomsbury, 2018) and is a regular contributor to the Guardian newspaper on film.

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