Skyscraper Cinema: Architecture and Gender in American Film

Author:   Merrill Schleier
Publisher:   University of Minnesota Press
ISBN:  

9780816642816


Pages:   368
Publication Date:   23 February 2009
Format:   Hardback
Availability:   Temporarily unavailable   Availability explained
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Skyscraper Cinema: Architecture and Gender in American Film


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Full Product Details

Author:   Merrill Schleier
Publisher:   University of Minnesota Press
Imprint:   University of Minnesota Press
Dimensions:   Width: 17.80cm , Height: 3.00cm , Length: 25.40cm
ISBN:  

9780816642816


ISBN 10:   0816642818
Pages:   368
Publication Date:   23 February 2009
Audience:   General/trade ,  Professional and scholarly ,  General ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

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In-depth and rigorous, Schleier s historical framework is more than simply a convenient temporal grid. Furnishing the reader with diegetic as well as external reference points, Schleier makes a strong case for these films as producers of culture at the same time as they can be seen to emerge from within a certain cultural context. Her research extends well beyond the screen. Scope


In-depth and rigorous, Schleier's historical framework is more than simply a convenient temporal grid. Furnishing the reader with diegetic as well as external reference points, Schleier makes a strong case for these films as producers of culture at the same time as they can be seen to emerge from within a certain cultural context. Her research extends well beyond the screen. --Scope In-depth and rigorous, Schleier s historical framework is more than simply a convenient temporal grid. Furnishing the reader with diegetic as well as external reference points, Schleier makes a strong case for these films as producers of culture at the same time as they can be seen to emerge from within a certain cultural context. Her research extends well beyond the screen. Scope In-depth and rigorous, Schleier's historical framework is more than simply a convenient temporal grid. Furnishing the reader with diegetic as well as external reference points, Schleier makes a strong case for these films as producers of culture at the same time as they can be seen to emerge from within a certain cultural context. Her research extends well beyond the screen. -- Scope


<p> In-depth and rigorous, Schleier's historical framework is more than simply a convenient temporal grid. Furnishing the reader with diegetic as well as external reference points, Schleier makes a strong case for these films as producers of culture at the same time as they can be seen to emerge from within a certain cultural context. Her research extends well beyond the screen. -- Scope


In-depth and rigorous, Schleier's historical framework is more than simply a convenient temporal grid. Furnishing the reader with diegetic as well as external reference points, Schleier makes a strong case for these films as producers of culture at the same time as they can be seen to emerge from within a certain cultural context. Her research extends well beyond the screen. --Scope


Author Information

Merrill Schleier is professor of art, architectural history, and film studies at the University of the Pacific. She is author of The Skyscraper in American Art.

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