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OverviewSixty years after its release, Singin' in the Rain (1951) remains one of the best loved films ever made. Yet despite dazzling success with the public, it never received its fair share of critical analysis. Gene Kelly's genius as a performer is undeniable. Acknowledged less often is his innovatory contribution as director. Peter Wollen's illuminating study of Singin' in the Rain does justice to this complex film. In a brilliant shot-by-shot analysis of the famous title number, he shows how skilfully Kelly weaves the dance and musical elements into the narrative, successfully combining two distinctive traditions within American Dance: tap and ballet. At the time of the film's production, its scriptwriters Betty Comden and Adolph Green, and indeed Kelly himself, were all under threat from McCarthyism. Wollen describes how the fallout from blacklisting curtailed the careers of many of those who worked on the film and argues convincingly that the film represents the high point in their careers. In his foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Geoff Andrew looks at the film's legacy and celebrates the passion, lucidity and originality of Wollen's analysis. Summing up its enduring appeal, Andrew writes: 'Singin' in the Rain isn't just a musical, it's a movie about the movies.' Full Product DetailsAuthor: Geoff Andrew (Programmer-at-Large for BFI Southbank) , Peter Wollen (University of California, USA)Publisher: Bloomsbury Publishing PLC Imprint: BFI Publishing Edition: 2nd edition Dimensions: Width: 13.50cm , Height: 0.60cm , Length: 19.00cm Weight: 0.163kg ISBN: 9781844575145ISBN 10: 1844575144 Pages: 88 Publication Date: 31 July 2012 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: To order Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsAuthor InformationPETER WOLLEN taught film at UCLA. He is the author of several books, including Signs and Meaning in the Cinema, first published in 1969 and reprinted in a new edition in 2012, and the co-writer (with Mark Peploe) of Michelangelo Antonioni's The Passenger (Professione: Reporter) (1974). GEOFF ANDREW is Head of Film Programme at BFI Southbank, and was previously Film Editor of Time Out London. He is the author of two volumes in the BFI Modern Classics series, The 'Three Colours' Trilogy (1998) and 10 (2005), and of The Films of Nicholas Ray: The Poet of Nightfall (2004). Tab Content 6Author Website:Countries AvailableAll regions |