Silent Renoir: Philosophy and the Interpretation of Early Film

Author:   Colin Davis
Publisher:   Springer Nature Switzerland AG
Edition:   1st ed. 2021
ISBN:  

9783030630294


Pages:   142
Publication Date:   19 February 2022
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Silent Renoir: Philosophy and the Interpretation of Early Film


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Overview

Jean Renoir (1894-1979) is widely regarded as one of the most distinguished directors in the history of world cinema. In the 1930s he directed a string of films which stretched the formal, intellectual, political and aesthetic boundaries of the art form, including works such as Le Crime de Monsieur Lange, La Grande Illusion, La Bête humaine and La Règle du jeu. However, the great director’s early work from the 1920s remains almost completely unknown, even to film specialists. If it is discussed at all, it is often seen to be of interest only insofar as it anticipates themes and techniques perfected in the later masterpieces. Renoir’s films of the 1920s were sometimes unfinished, commercially unsuccessful, or unreleased at the time of their production. This book argues that to regard them merely as prefigurations of later achievements entails a failure to view them on their own terms, as searching, unsettled experiments in the meaning and potentialof film art.

Full Product Details

Author:   Colin Davis
Publisher:   Springer Nature Switzerland AG
Imprint:   Springer Nature Switzerland AG
Edition:   1st ed. 2021
Weight:   0.208kg
ISBN:  

9783030630294


ISBN 10:   3030630293
Pages:   142
Publication Date:   19 February 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. Introduction: Renoir Goes to the Cinema.- Interpreting images.- 2. But is it Art?: Heidegger and the (Moving) Image.- 3. Philosophy and Film (Again): From Ontology to Hermeneutics.- 4. Reading and Overreading Film.- Silent Renoir.- 5. The Woman Who Wasn’t There: Catherine Hessling.- 6. The Missing Real: La Fille de l’eau and La Petite Marchande d’allumettes.- 7. The Colonial Other: Sur un air de Charleston and Le Bled.- 8.    Traces of War: Erasing Memory in Tire au flanc..- 9. Conclusion.

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Colin Davis is Emeritus Professor of French and Comparative Literature at Royal Holloway, University of London.

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