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OverviewFull Product DetailsAuthor: Jung Joon LeePublisher: Duke University Press Imprint: Duke University Press Weight: 0.572kg ISBN: 9781478019923ISBN 10: 1478019921 Pages: 304 Publication Date: 25 March 2024 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews“Jung Joon Lee boldly draws the reader into intimate and unsettling engagements with historical memory through a masterful interpretation of photographs that have shaped political and social imaginaries of postwar Korea. This book courageously revisits both the turbulent and ambivalent emotional worlds of US military occupation, patriarchal authoritarianism, and political protest forcing discomfiting considerations about the boredom of sex work, sardonic tropes of family happiness, and the mundanity of political protest.” -- Rachael Miyung Joo, author of * Transnational Sport: Gender, Media, and Global Korea * “Renouncing the ‘homological’ nationality of ‘Korean photography’ by embracing the multiple and disobedient times of the camera, Jung Joon Lee’s investigation of ‘heterotemporality’ provides an exemplary frame for grasping the complex relations between media, ideology, place, and history. This is a richly rewarding and bracingly innovative analysis.” -- Christopher Pinney, coeditor with the PhotoDemos Collective of * Citizens of Photography: The Camera and the Political Imagination * """Jung Joon Lee boldly draws the reader into intimate and unsettling engagements with historical memory through a masterful interpretation of photographs that have shaped political and social imaginaries of postwar Korea. This book courageously revisits both the turbulent and ambivalent emotional worlds of US military occupation, patriarchal authoritarianism, and political protest forcing discomfiting considerations about the boredom of sex work, sardonic tropes of family happiness, and the mundanity of political protest.""--Rachael Miyung Joo, author of ""Transnational Sport: Gender, Media, and Global Korea"" ""Renouncing the 'homological' nationality of 'Korean photography' by embracing the multiple and disobedient times of the camera, Jung Joon Lee's investigation of 'heterotemporality' provides an exemplary frame for grasping the complex relations between media, ideology, place, and history. This is a richly rewarding and bracingly innovative analysis.""--Christopher Pinney, coeditor with the PhotoDemos Collective of ""Citizens of Photography: The Camera and the Political Imagination""" Author InformationJung Joon Lee is Associate Professor of Theory and History of Art and Design at Rhode Island School of Design. Tab Content 6Author Website:Countries AvailableAll regions |
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