Shoes: The Meaning of Style

Author:   Elizabeth Semmelhack
Publisher:   Reaktion Books
ISBN:  

9781789140804


Pages:   368
Publication Date:   15 April 2019
Format:   Paperback
Availability:   In stock   Availability explained
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Shoes: The Meaning of Style


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Overview

We all make choices every day about which shoes to wear, but why do we choose the shoes we do? Organised around four main types - boots, sneakers, high heels and sandals - Shoes: The Meaning of Style explores the history of shoes and how different types of footwear have come to mean different things about the people who wear them. Along the way Elizabeth Semmelhack reveals the anecdotes and scandals, successes and failures, dislikes and obsessions of the makers, wearers and observers who helped to create the movements and fashions of footwear. Beautifully illustrated throughout, Shoes is a thoroughly surprising history of an everyday item that will appeal not only to followers of fashion, but to those interested in social history and identity. 'Elizabeth Semmelhack's work sheds a new and fascinating light on footwear, looking at its social significance and how it has changed over the years. It is an absolute must for those interested in the subject.' - Manolo Blahnik 'This book shows us all the fashion, art, and design that allowed shoes to become a powerful cultural phenomenon. From the feet to the street to the commercial mountain peaks!' - Darryl 'dmc' McDaniels

Full Product Details

Author:   Elizabeth Semmelhack
Publisher:   Reaktion Books
Imprint:   Reaktion Books
ISBN:  

9781789140804


ISBN 10:   1789140803
Pages:   368
Publication Date:   15 April 2019
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Reviews

[One of] this season's most giftworthy reads to satisfy every bibliophile on your list. . . . The curator of Toronto's Bata Shoe Museum explores the shifting status and social meaning of footwear and its evolving cultural value across designs and eras. --Nathalie Atkinson Globe and Mail Semmelhack's history of shoes is neither an investigation into design nor an exhaustive chronology, but rather an informed and breezy examination of the meanings assigned to footwear through the ages. Tracing the development of four styles of shoes familiar to both men and women today--sandals, high heels, boots and sneakers--with lively anecdote she considers them as signifiers of status and gender, as reflections of our self-image within the prevailing culture of our times, and as tools to protect certain values and power structures, or to threaten them. . . . Since there have been shoes there have been judgements about shoes, a relentless chorus of disapproval at every adaption and adoption. This is Semmelhack's territory, airing the prejudice, the criticism, and the absurdity. --World of Interiors A sm rg sbord of historical and contemporary examples, anecdotes, and stories revealing how each style has evolved. . . . An extremely good introduction to the vast and complex subject of why we wear the shoes that we wear. --Journal of Dress History Semmelhack's work sheds a new and fascinating light on footwear, looking at its social significance, and how it has changed over the years. It is an absolute must for those interested in the subject. --Manolo Blahnik This book shows us all the fashion, art, and design that allowed shoes to become a powerful cultural phenomenon. From the feet to the street to the commercial mountain peaks! And the chapter on sneakers represents how sneakers became not just a fact of life, but a way of life. --Darryl DMC McDaniels In Semmelhack's wonderful new book she uses her extraordinary knowledge of shoes to shed light on the cultural and ideological over the more familiar accounts of fashion's ever evolving designs. Through vivid examples and rare illustrations, she invests the four categories of sandal, boot, high heel and sneaker with new meaning. It will become essential reading for students and scholars alike. --Judith Clark, University of the Arts, London Semmelhack's book takes issues of identity politics firmly in hand, yet she writes like a true art historian. The result is an incredibly edifying, deeply entertaining, manifestly readable look inside everyday objects that most of us are too busy to truly consider. The book is a more than adequate reference guide for those in the industry, a sample of how to properly curate and discuss a museum exhibit, a lovely coffee table book, and a highly readable adventure in general. This is one of those rare books that truly offers something substantive for everyone who might not usually think about picking it up. On its face, such a daily subject may not seem worth getting excited about, but Shoes is not at all prosaic and it's quite difficult to put down after the first few pages. --Megan Volpert PopMatters


A smoergasbord of historical and contemporary examples, anecdotes, and stories revealing how each style has evolved. . . . An extremely good introduction to the vast and complex subject of why we wear the shoes that we wear. -- Journal of Dress History Semmelhack's history of shoes is neither an investigation into design nor an exhaustive chronology, but rather an informed and breezy examination of the meanings assigned to footwear through the ages. Tracing the development of four styles of shoes familiar to both men and women today--sandals, high heels, boots and sneakers--with lively anecdote she considers them as signifiers of status and gender, as reflections of our self-image within the prevailing culture of our times, and as tools to protect certain values and power structures, or to threaten them. . . . Since there have been shoes there have been judgements about shoes, a relentless chorus of disapproval at every adaption and adoption. This is Semmelhack's territory, airing the prejudice, the criticism, and the absurdity. -- World of Interiors Semmelhack's work sheds a new and fascinating light on footwear, looking at its social significance, and how it has changed over the years. It is an absolute must for those interested in the subject. --Manolo Blahnik Strikes a careful balance between using language that is accessible in its clarity while also appealing to academic readers interested in the relation between material objects and sociocultural identity. . . . Beautiful color illustrations of shoes both old and new. My review copy of the book looks as good and feels as lush as some of the shoes contained therein. . . . Semmelhack's book is a pleasure to read and relies on a rich diversity of literary, visual, and material sources. It nicely ties types of footwear to the historical contexts in which they emerge and become meaningful. . . . Semmelhack's ambition to transgress traditional gender boundaries is highly admirable too. -- Journal of Fashion Theory This book shows us all the fashion, art, and design that allowed shoes to become a powerful cultural phenomenon. From the feet to the street to the commercial mountain peaks! And the chapter on sneakers represents how sneakers became not just a fact of life, but a way of life. --Darryl DMC McDaniels [One of] this season's most giftworthy reads to satisfy every bibliophile on your list. . . . The curator of Toronto's Bata Shoe Museum explores the shifting status and social meaning of footwear and its evolving cultural value across designs and eras. --Nathalie Atkinson Globe and Mail In Semmelhack's wonderful new book she uses her extraordinary knowledge of shoes to shed light on the cultural and ideological over the more familiar accounts of fashion's ever evolving designs. Through vivid examples and rare illustrations, she invests the four categories of sandal, boot, high heel and sneaker with new meaning. It will become essential reading for students and scholars alike. --Judith Clark, University of the Arts, London Semmelhack's book takes issues of identity politics firmly in hand, yet she writes like a true art historian. The result is an incredibly edifying, deeply entertaining, manifestly readable look inside everyday objects that most of us are too busy to truly consider. The book is a more than adequate reference guide for those in the industry, a sample of how to properly curate and discuss a museum exhibit, a lovely coffee table book, and a highly readable adventure in general. This is one of those rare books that truly offers something substantive for everyone who might not usually think about picking it up. On its face, such a daily subject may not seem worth getting excited about, but Shoes is not at all prosaic and it's quite difficult to put down after the first few pages. --Megan Volpert PopMatters


[One of] this season's most giftworthy reads to satisfy every bibliophile on your list. . . . The curator of Toronto's Bata Shoe Museum explores the shifting status and social meaning of footwear and its evolving cultural value across designs and eras. --Nathalie Atkinson Globe and Mail A sm rg sbord of historical and contemporary examples, anecdotes, and stories revealing how each style has evolved. . . . An extremely good introduction to the vast and complex subject of why we wear the shoes that we wear. --Journal of Dress History Semmelhack's work sheds a new and fascinating light on footwear, looking at its social significance, and how it has changed over the years. It is an absolute must for those interested in the subject. --Manolo Blahnik This book shows us all the fashion, art, and design that allowed shoes to become a powerful cultural phenomenon. From the feet to the street to the commercial mountain peaks! And the chapter on sneakers represents how sneakers became not just a fact of life, but a way of life. --Darryl DMC McDaniels Semmelhack's history of shoes is neither an investigation into design nor an exhaustive chronology, but rather an informed and breezy examination of the meanings assigned to footwear through the ages. Tracing the development of four styles of shoes familiar to both men and women today--sandals, high heels, boots and sneakers--with lively anecdote she considers them as signifiers of status and gender, as reflections of our self-image within the prevailing culture of our times, and as tools to protect certain values and power structures, or to threaten them. . . . Since there have been shoes there have been judgements about shoes, a relentless chorus of disapproval at every adaption and adoption. This is Semmelhack's territory, airing the prejudice, the criticism, and the absurdity. --World of Interiors In Semmelhack's wonderful new book she uses her extraordinary knowledge of shoes to shed light on the cultural and ideological over the more familiar accounts of fashion's ever evolving designs. Through vivid examples and rare illustrations, she invests the four categories of sandal, boot, high heel and sneaker with new meaning. It will become essential reading for students and scholars alike. --Judith Clark, University of the Arts, London Semmelhack's book takes issues of identity politics firmly in hand, yet she writes like a true art historian. The result is an incredibly edifying, deeply entertaining, manifestly readable look inside everyday objects that most of us are too busy to truly consider. The book is a more than adequate reference guide for those in the industry, a sample of how to properly curate and discuss a museum exhibit, a lovely coffee table book, and a highly readable adventure in general. This is one of those rare books that truly offers something substantive for everyone who might not usually think about picking it up. On its face, such a daily subject may not seem worth getting excited about, but Shoes is not at all prosaic and it's quite difficult to put down after the first few pages. --Megan Volpert PopMatters


Semmelhack's history of shoes is neither an investigation into design nor an exhaustive chronology, but rather an informed and breezy examination of the meanings assigned to footwear through the ages. Tracing the development of four styles of shoes familiar to both men and women today--sandals, high heels, boots and sneakers--with lively anecdote she considers them as signifiers of status and gender, as reflections of our self-image within the prevailing culture of our times, and as tools to protect certain values and power structures, or to threaten them. . . . Since there have been shoes there have been judgements about shoes, a relentless chorus of disapproval at every adaption and adoption. This is Semmelhack's territory, airing the prejudice, the criticism, and the absurdity. --World of Interiors A sm rg sbord of historical and contemporary examples, anecdotes, and stories revealing how each style has evolved. . . . An extremely good introduction to the vast and complex subject of why we wear the shoes that we wear. --Journal of Dress History Semmelhack's work sheds a new and fascinating light on footwear, looking at its social significance, and how it has changed over the years. It is an absolute must for those interested in the subject. --Manolo Blahnik [One of] this season's most giftworthy reads to satisfy every bibliophile on your list. . . . The curator of Toronto's Bata Shoe Museum explores the shifting status and social meaning of footwear and its evolving cultural value across designs and eras. --Nathalie Atkinson Globe and Mail This book shows us all the fashion, art, and design that allowed shoes to become a powerful cultural phenomenon. From the feet to the street to the commercial mountain peaks! And the chapter on sneakers represents how sneakers became not just a fact of life, but a way of life. --Darryl DMC McDaniels In Semmelhack's wonderful new book she uses her extraordinary knowledge of shoes to shed light on the cultural and ideological over the more familiar accounts of fashion's ever evolving designs. Through vivid examples and rare illustrations, she invests the four categories of sandal, boot, high heel and sneaker with new meaning. It will become essential reading for students and scholars alike. --Judith Clark, University of the Arts, London Semmelhack's book takes issues of identity politics firmly in hand, yet she writes like a true art historian. The result is an incredibly edifying, deeply entertaining, manifestly readable look inside everyday objects that most of us are too busy to truly consider. The book is a more than adequate reference guide for those in the industry, a sample of how to properly curate and discuss a museum exhibit, a lovely coffee table book, and a highly readable adventure in general. This is one of those rare books that truly offers something substantive for everyone who might not usually think about picking it up. On its face, such a daily subject may not seem worth getting excited about, but Shoes is not at all prosaic and it's quite difficult to put down after the first few pages. --Megan Volpert PopMatters


Author Information

Elizabeth Semmelhack is senior curator of the Bata Shoe Museum, Toronto. She is the author of Out of the Box: The Rise of Sneaker Culture and Heights of Fashion: A History of the Elevated Shoe.

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