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OverviewCan postmodern accounts of the gaze deriving from the psychoanalytic theories of Freud, Lacan, Fanon and Riviere tell us anything about those structures of vision prior to, and repressed by, modernity? This study examines the tragedies, histories, and Roman plays for an emergent early modern spectatorial subject, thereby locating Shakespearean theatre within those discourses most crucial to the contemporary exposition and disruption of regimes of vision: perspective painting, cartography, optics, geometry, Puritan anti-theatrical polemic and the occult. Full Product DetailsAuthor: P. ArmstrongPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 1.30cm , Length: 21.60cm Weight: 0.455kg ISBN: 9780333779354ISBN 10: 0333779355 Pages: 247 Publication Date: 08 November 2000 Audience: Professional and scholarly , Professional and scholarly , Professional & Vocational , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationPHILIP ARMSTRONG teaches English and Cultural Studies at the University of Canterbury, Christ Church, New Zealand. He is currently preparing a second book on Shakespeare and Psychoanalysis and researching accounts of cannibalism in Pacific colonial history. Tab Content 6Author Website:Countries AvailableAll regions |