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Full Product Details

Author:   Emma Smith (University of Oxford)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 19.60cm , Height: 1.90cm , Length: 25.30cm
Weight:   0.740kg
ISBN:  

9781009392785

ISBN 10:   1009392786
Pages:   320
Publication Date:   07 September 2023
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. All early modern drama is virtual to us David McInnis; 2. RSC live from stratford-upon-avon: ten things I think I know or, of course we're making a movie John Wyver; 3. Digital ariel: an interview with Mark quartley Michael Dobson and Mark Quartley; 4. Staging digital co-presence: Punchdrunk's hybrid sleep no more (2012) and pandemic-informed pedagogies Erin Sullivan; 5. Very tragical mirth': performing a midsummer night's dream on screen(s) during lockdown Benjamin Broadribb; 6. Uneasy lies the head: Michael Almereyda's halloween cymbeline Peter J. Smith; 7. When is king lear not king lear? Peter Holland; 8. Sim-ulating Shakespeare: from stage to computer screen Emily Louisa Smith; 9. Meter in the middle distance Robert Stagg; 10. What's in a 'Quire'? vicissitudes of the virtual in Shakespeare's Julius caesar and romeo and juliet Silvia Bigliazzi; 11. And which the Jew?': representations of Shylock in meiji Japan (1868-1912) Reiko Oya; 12. Hamlet, translation and the cultural conditions of thought Jessica Chiba; 13. The Pietas of dogberry Sean Benson; 14. Taylor Mac's Gary and Queer Failure in Titus Andronicus Louise Geddes; 15. I would cure you': self-help advice on love in Sidney and Shakespeare Ceri Sullivan; 16. Shakespeare in Arden: pragmatic markers and parallels Duncan Salkeld; 17. Sycorax's hoop Hanh Bui; 18. Shakespeare performances in England 2022: outside London Peter Kirwan; 19. Shakespeare performances in England 2022: London Lois Potter; 20. Professional Shakespeare productions in the British isles, January-December 2021 James Shaw; 21. The year's contribution to Shakespeare Studies: 1. Critical Studies reviewed by Ezra Horbury, 2. Performance reviewed by Miranda Fay Thomas, 3. Editions and textual studies reviewed by Emma Depledge.

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Author Information

Emma Smith is Professor of Shakespeare Studies at Hertford College, Oxford. Her work focuses on the reception of Shakespeare in print, performance, and criticism, and she has written for students, enthusiasts, theatregoers and scholars. For undergraduate readers she wrote The Cambridge Introduction to Shakespeare (Cambridge, 2007) and The Cambridge Shakespeare Guide (Cambridge, 2012). Her work on the First Folio includes The Making of the First Folio (Bodleian Library, 2016, 2nd edition forthcoming 2023) and Shakespeare's First Folio: Four Centuries of an Iconic Book (Oxford, 2016, 2nd edition forthcoming 2023). Her books This Is Shakespeare (Penguin, 2019) and Portable Magic: A History of Books and their Readers (Penguin 2022) draw on research to address a wider readership. Her current work includes editing Twelfth Night and Nashe's Summers Last Will and Testament, and working with Laurie Maguire on ideas of dramatic collaboration.

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