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Serial Mexico belongs to a critical continuum, guided by Benjamin's 'Age of mechanical reproduction,' Benedict Anderson's Imagined Communities, and Doris Sommer's Foundational Fictions, that studies modern national identity. As befits this lineage, Serial Mexico concerns itself with family romance (and domestication) as national allegory. -John A. Ochoa, author of The Uses of Failure in Mexican Literature and Identity.

"Serial Mexico belongs to a critical continuum, guided by Benjamin's 'Age of mechanical reproduction,' Benedict Anderson's Imagined Communities, and Doris Sommer's Foundational Fictions, that studies modern national identity. As befits this lineage, Serial Mexico concerns itself with family romance (and domestication) as national allegory."" —John A. Ochoa, author of The Uses of Failure in Mexican Literature and Identity."

Serial Mexico belongs to a critical continuum, guided by Benjamin's 'Age of mechanical reproduction, ' Benedict Anderson's Imagined Communities, and Doris Sommer's Foundational Fictions, that studies modern national identity. As befits this lineage, Serial Mexico concerns itself with family romance (and domestication) as national allegory. --John A. Ochoa, author of The Uses of Failure in Mexican Literature and Identity

Serial Mexico belongs to a critical continuum, guided by Benjamin's Age of mechanical reproduction , Benedict Anderson's Imagined Communities, Doris Sommer's Foundational Fictions, that studies modern national identity. As befits this lineage, Serial Mexico concerns itself with family romance (and domestication) as national allegory. --John A. Ochoa, author of The Uses of Failure in Mexican Literature and Identity

"Once in a blue moon, a scholarly work drops that upends what we know in the humanities. Serial Mexico is this—and more. Gorgeous, lively prose serves up sophisticated, smart scholarship that radically reorients us toward Mexico's deep and rich transmedia history. Wright's edge-of-seat odyssey takes us far back into Mexico's history of storytelling, as well as all subsequent instances of cross-media proliferation and pollination. From astute analyses of early-nineteenth-century popular serialized stories to twentieth-century comics, radionovelas, and telenovelas, Wright does with Serial Mexico what Jenkins did with Convergence Culture, but with one colossal difference: Wright aptly anchors Transmedial Studies in the Global South."" —Frederick Luis Aldama, author of Mex-CinÉ: Mexican Filmmaking, Production, and Consumption in the Twenty-first Century ""Propelled by its colorful subject matter and Wright’s artful analysis, Serial Mexico is a groundbreaking meditation on how Mexican mass media addresses memory, national identity, and formula storytelling. Packed with illustrations and forgotten cultural histories, this is a major contribution to Mexican and Latin American Studies."" —Christopher Conway, author of Heroes of the Borderlands: The Western in Mexican Film, Comics, and Music ""Serial Mexico belongs to a critical continuum, guided by Walter Benjamin's 'The Work of Art in the Age of Mechanical Reproduction,' Benedict Anderson's Imagined Communities, and Doris Sommer's Foundational Fictions, that studies modern national identity. As befits this lineage, Serial Mexico concerns itself with family romance (and domestication) as national allegory."" —John A. Ochoa, author of The Uses of Failure in Mexican Literature and Identity"

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Amy Wright is an associate professor of Hispanic studies at Saint Louis University.

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