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OverviewFull Product DetailsAuthor: Pierre Eug�ne , Kate Ince , Marc SiegelPublisher: Meson Press Eg Imprint: Meson Press Eg Dimensions: Width: 12.70cm , Height: 2.20cm , Length: 17.80cm Weight: 0.363kg ISBN: 9783957960184ISBN 10: 3957960185 Pages: 312 Publication Date: 29 February 2024 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews"Don't miss the and in the title, for this valuable book has two objectives. On the one hand, it proposes a vital, much-needed analysis of Serge Daney's thought, of his work as a critic, media theorist, and founder of the essential film journal Trafic, topics which all remain woefully under-discussed in English. On the other, it considers the implications of this work for queer studies, initiating a productive, cross-disciplinary dialogue around topics like aesthetics and queer biography, film history and feminism, media archeology and festival programming. The broader frame moves past Daney in order to remain close to him: by abandoning the self-sufficiency of a single approach for the vulnerability of the encounter, the editors maintain the commitments to alterity, mediation, and impurity at the heart of his understanding of cinema. -Sam Di Iorio, Hunter College, City University of New York This international anthology helps to construct a renewal of transatlantic discourses on cinema. The contributions not only attempt to read Serge Daney from a queer perspective today, but also to understand queer theory anew, stemming from the cinephilic image theory of one of the most influential French film critics, who saw the era of post-cinema dawning as early as the 1980s. -Christa Bl�mlinger, Universit� Paris-8 This invaluable book steps in to help fill a glaring void: the lack of English-language scholarship on the most respected French film and TV critic of the post-WWII era, Serge Daney. It trains a queer and feminist lens on Daney's writings, a task both fruitful and fugitive, Daney being a gay man who rarely wrote about homosexuality-either his own or in cinema. Given that he spent the majority of his career steeped in the masculinist-heterosexual culture of Cahiers du Cin�ma, this book, by imaginatively unearthing the ""queer potential"" of his vast oeuvre, has produced an exciting contribution to the study of film criticism that pulses with contemporary resonance. -Girish Shambu, Canisius College, Buffalo, New York" Author InformationTab Content 6Author Website:Countries AvailableAll regions |