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9781498211024

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Senses of the Soul is an invaluable grass-roots study of how people actually use and engage the visual aspects of Christian worship. Rather than emphasizing what theology and liturgy think the arts should contribute (or not) to worship, Dyrness breaks new ground by listening to ordinary Christians' talk about what the arts actually do contribute. In so doing, he re-draws the boundaries of art and points to the power of our religious imaginations to direct our engagement with the visual and physical dimensions of Christian worship. I am very much looking forward to using this book in my own teaching and research. --Lisa DeBoer Art Historian, Westmont College William Dyrness offers us here a very timely and strategic contribution to the growing conversation about how the arts can contribute to worship and the life of faith. By listening to so many varied voices of worshipers in actual congregations, Dyrness offers many illuminating insights that promise to sharpen not only the work of artists in many media, but also the faith life of pastors, theologians, worship leaders, and all thoughtful Christians who long for a multi-sensory life of prayer. --John D. Witvliet Director, Calvin Institute of Christian Worship Professor of Worship, Calvin College and Calvin Theological Seminary Senses of the Soul is a pioneering contribution to the ways in which Christians appropriate visual images in worship. Based on eighty interviews with individuals from Protestant, Orthodox, and Catholic congregations in Southern California, this book creatively blends empirical research with theological and social-scientific insight. The book is richly illustrated with photos of religious images from the sites where William Dyrness did his research. This book opens a fresh chapter in our understanding of the embodiment of religious experience in artistic expression. --Donald E. Miller Executive Director, Center for Religion and Civic Culture University of Southern California

Senses of the Soul is an invaluable grass-roots study of how people actually use and engage the visual aspects of Christian worship. Rather than emphasizing what theology and liturgy think the arts should contribute (or not) to worship, Dyrness breaks new ground by listening to ordinary Christians' talk about what the arts actually do contribute. In so doing, he re-draws the boundaries of art and points to the power of our religious imaginations to direct our engagement with the visual and physical dimensions of Christian worship. I am very much looking forward to using this book in my own teaching and research. --Lisa DeBoer Art Historian, Westmont College William Dyrness offers us here a very timely and strategic contribution to the growing conversation about how the arts can contribute to worship and the life of faith. By listening to so many varied voices of worshipers in actual congregations, Dyrness offers many illuminating insights that promise to sharpen not only the work of artists in many media, but also the faith life of pastors, theologians, worship leaders, and all thoughtful Christians who long for a multi-sensory life of prayer. --John D. Witvliet Director, Calvin Institute of Christian Worship Professor of Worship, Calvin College and Calvin Theological Seminary Senses of the Soul is a pioneering contribution to the ways in which Christians appropriate visual images in worship. Based on eighty interviews with individuals from Protestant, Orthodox, and Catholic congregations in Southern California, this book creatively blends empirical research with theological and social-scientific insight. The book is richly illustrated with photos of religious images from the sites where William Dyrness did his research. This book opens a fresh chapter in our understanding of the embodiment of religious experience in artistic expression. --Donald E. Miller Executive Director, Center for Religion and Civic Culture University of Southern California

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William A. Dyrness is Professor of Theology and Culture in the School of Theology, Fuller Theological Seminary. He is the author most recently of Reformed Theology and Visual Culture (2004) and Visual Faith (2001).

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