Sense & Senses in Aesthetics

Author:   Per Backstrom ,  Troels Degn Johansson
Publisher:   Nordisk sommeruniversitet NSU Press
ISBN:  

9789188484246


Pages:   242
Publication Date:   01 January 2003
Format:   Paperback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Sense & Senses in Aesthetics


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Overview

Many questions regarding sense and the senses in art and aesthetics are addressed in this anthology. Meditating on philosophy, fine arts, and literature, as well as on the more simple 'joys of life' such as cinema, dirty language, and food, the authors draw upon a wide range of phenomena, none of which is more privileged than the others. Art's relationship to humankind exists through the senses, it seems. The fact that different kinds of art exists might be associated with the circumstance that we have disparate senses, thus the divergent ways in which the aesthetic experience is transmitted. Art, therefore, can necessarily be understood as a fundamental plurality, since there is no single way to experience it. Accordingly, we tend to distinguish, for example, between those art forms that lend themselves to the senses of distance (sight and hearing) and the proximate senses of smell, touch and taste. In art, it has been maintained that the so-called 'fine arts' -- music and the visual arts -- were based on the distant senses, while the 'lower arts' -- such as perfumery and gastronomy -- were associated with the proximate senses. But, how could we conceptualize differences among art and the senses at all if we lacked a common concept -- a sensus communis -- of art and sense? With subjects ranging quite literally from philosophy to faeces, the reader of this anthology will find new views on film directors such as Quentin Tarantino, Lars von Trier, and Krzysztof Kieslowski; authors such as Sylvia Plath, Vilhelm Ekelund, Elias Canetti, and Rainer-Maria Rilke; and philosophers such as Jean-Luc Nancy, Friedrich Nietzsche, Peter Sloterdijk, and Michel Serres.

Full Product Details

Author:   Per Backstrom ,  Troels Degn Johansson
Publisher:   Nordisk sommeruniversitet NSU Press
Imprint:   Nordisk sommeruniversitet NSU Press
Dimensions:   Width: 14.50cm , Height: 1.30cm , Length: 21.00cm
Weight:   0.327kg
ISBN:  

9789188484246


ISBN 10:   9188484246
Pages:   242
Publication Date:   01 January 2003
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Introduction: The Senses, Aesthetic Experience, and Art; Being Touched by Art: Art and Sense in Jean-Luc Nancy; Challenging Modernism in Sloterdijk's Spheres; Orpheus as Socrates Practising Music; On the Synaesthetic Origin of Literary Philosophy; Suspicion in the Ear: The Phonemic Reading of Garrett Stewart in a Scandinavian Context; In Rot getaucht: Elias Canettis Diegerettete Zunge and the colour 'red' in modern art; The Tactile Image: A Veronican Approach to Pictorality in Michel Serres's Aesthetics of the Senses; Prosthesis Unbound; Holy Shit! Quentin Tarantino's Excremental Aesthetics; Taste as a Matter of Pedagogical Concern.

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