Semiotics and Pragmatics of Stage Improvisation

Author:   Professor Domenico Pietropaolo (University of Toronto, Canada)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781474225809


Pages:   160
Publication Date:   22 September 2016
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Semiotics and Pragmatics of Stage Improvisation


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Overview

Analysis of improvisation as a compositional practice in the Commedia dell'Arte and related traditions from the Renaissance to the 21st century. Domenic Pietropaolo takes textual material from the stage traditions of Italy, France, Germany and England, and covers comedic drama, dance, pantomime and dramatic theory, and more. He shines a light onto 'the signs of improvised communication'. The book is comprehensive in its analysis of improvised dramatic art across theatrical genres, and is multimodal in looking at the spoken word, gestural and non-verbal signs. The book focusses on dramatic text as well as: - The semiotics of stage discourse, including semantic, syntactic and pragmatic aspects of sign production - The physical and material conditions of sign-production including biomechanical limitations of masks and costumes. Semiotics and Pragmatics of Stage Improvisation is the product of an entire career spent researching the semiotics of the stage and it is essential reading for semioticians and students of performance arts.

Full Product Details

Author:   Professor Domenico Pietropaolo (University of Toronto, Canada)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Academic
Dimensions:   Width: 15.60cm , Height: 1.50cm , Length: 23.40cm
Weight:   0.423kg
ISBN:  

9781474225809


ISBN 10:   1474225802
Pages:   160
Publication Date:   22 September 2016
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgements 1. Memory and Imagination in Impromptu Performance 2. The Pragmatics of Derision in Commedia dell'Arte 3. Semiotics of the Improvised Performance Text 4. Quidquid in Buccam Venit: The Syntax of Stage Improvisation 5. The Biomechanical Base of Improvisation 6. The Dramaturgy of Improvisation 7. The Pragmatics of Texuality Bibliography Index

Reviews

A fascinating and scholarly book ... [Pietropaolo] masterfully combines [his] broad knowledge to provide a novel and important analysis of Italian commedia improvisation ... Every scholar of improvisation, who would like to round out their expertise with a knowledge of its medieval Italian variant, will enjoy reading this book. * Studies in Theatre and Performance * This is a valuable piece of work for readers with an interest in the Commedia dell'Arte tradition, particularly an avid interest in what we know of the descriptive detail of performance improvisation, and would be a relevant addition to the toolkit of scholars and practitioners alike. * Scottish Journal of Performance *


A fascinating and scholarly book ... [Pietropaolo] masterfully combines [his] broad knowledge to provide a novel and important analysis of Italian commedia improvisation ... Every scholar of improvisation, who would like to round out their expertise with a knowledge of its medieval Italian variant, will enjoy reading this book. Studies in Theatre and Performance


A fascinating and scholarly book ... [Pietropaolo] masterfully combines [his] broad knowledge to provide a novel and important analysis of Italian commedia improvisation ... Every scholar of improvisation, who would like to round out their expertise with a knowledge of its medieval Italian variant, will enjoy reading this book. * Studies in Theatre and Performance * This is a valuable piece of work for readers with an interest in the Commedia dell’Arte tradition, particularly an avid interest in what we know of the descriptive detail of performance improvisation, and would be a relevant addition to the toolkit of scholars and practitioners alike. * Scottish Journal of Performance *


Author Information

Domenico Pietropaolo is Professor of Italian Studies and Drama at the University of Toronto, Canada, where he is also Principal of St. Michael's College and Senior Fellow of Massey College.

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