Secular Music, Sacred Space: Evangelical Worship and Popular Music

Author:   April Stace
Publisher:   Lexington Books
ISBN:  

9781498542173


Pages:   132
Publication Date:   13 June 2017
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Secular Music, Sacred Space: Evangelical Worship and Popular Music


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Full Product Details

Author:   April Stace
Publisher:   Lexington Books
Imprint:   Lexington Books
Dimensions:   Width: 16.10cm , Height: 1.70cm , Length: 23.60cm
Weight:   0.381kg
ISBN:  

9781498542173


ISBN 10:   1498542174
Pages:   132
Publication Date:   13 June 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction Chapter One: The Highway to Hell: Orientations in Ethnomusicology, Liturgical Studies, and Religious Studies Chapter Two: Falling Slowly: The Context for Popular Music in Worship Services Chapter Three: Blurred Lines: How We Define Sacred and Secular Chapter Four: Roar: The Power of Music In and Against the Culture Chapter Five: I Still Haven't Found What I'm Looking For: The Deficits of Sacred Music Chapter Six: Hallelujah: Popular-Secular Music as a Language of Lament Conclusion

Reviews

Since the 1960s, relevance, intelligibility, and accessibility have been highly esteemed values within new styles of Protestant worship. Stace's book provides an indispensable study of one intriguing expression of those values: the use of popular-secular music within Christian worship. Stace uses Highway to Hell to provide a pathway to knowledge. -- Lester Ruth, Duke Divinity School


Liturgical scholars, seminary students, clergy and ethnographers focused on Christian worship should engage with Stace's thoughtful work. For worship educators, her research could provide helpful case studies for use in seminaries and bible schools. In addition, many of the questions emerging from this study regarding culture and Christian identity would be beneficial discussion starters for pastors and worship leaders. Overall, Stace presents an accessible ethnographic work that brings clarity to a controversial, yet important topic. * Evangelical Quarterly * Since the 1960s, relevance, intelligibility, and accessibility have been highly esteemed values within new styles of Protestant worship. Stace's book provides an indispensable study of one intriguing expression of those values: the use of popular-secular music within Christian worship. Stace uses Highway to Hell to provide a pathway to knowledge. -- Lester Ruth, Duke Divinity School Unafraid of controversial subject matter, Stace dives in head first, calling things like she sees them. Whether you agree with her conclusions or not, you will admit that you have been in conversation with a seasoned scholar. -- Rev. Dr. William Bradley Roberts, Virginia Theological Seminary, Consultant in the Center for Liturgy and Music Stace mixes a narrow research question-why are church leaders choosing to use popular-secular music in worship?-with an ethnographic study of leaders of eight churches to produce a fascinating and nuanced study of the current permeability of boundaries between sacred/secular, religious/spiritual, church/culture, and individual/church. This book is full of insights into the contemporary worship and religious/spiritual landscape of the United States today. -- Rev. Dr. Robin Knowles Wallace, Methodist Theological School


Author Information

April Stace is affiliate professor at General Theological Seminary.

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